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Little Women in America

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Title: Little Women in America


1
Little Women in America
  • English 505
  • Dr. Roggenkamp

2
Mid- to Late-19th Century Publishing Trends for
Children
  • Realismstories set firmly in real world
    (e.g. didactic fiction, school stories, domestic
    tales, most adventure novels)
  • Fantasticstories involving some impossible
    thing (e.g. talking animals
  • or toys, magical events,
  • nonsense)
  • Englishfantastic
  • Americanrealistic
  • Image Illustration from Susan Warners 1850
  • blockbuster The Wide, Wide World,
    illustrated by
  • Frederick Dielman in 1892

3
Childrens Lit in America A Sketch
  • Colonial Era children born with depravity
    childhood time to prepare for adult religious
    discernment
  • Sample titles
  • Spiritual Milk for Boston Babes . . . Drawn Out
    of the Breasts of Both Testaments for their Souls
    Nourishment (John Cotton, 1656)
  • A Token for Children, Being an Exact Account of
    the Conversion, Holy and Exemplary Lives, and
    Joyful Deaths of Several Young Children (James
    Janeway, 1700).

4
Childrens Lit in America A Sketch
  • 18th Century Exchange religious teaching for
    teaching of more secularized virtuesself-sacrific
    e, republicanism, honesty, dependability,
    charity, thrift
  • As in England, rise of didactic literature
  • Early 19th Century Rise of Sunday School
    movement, which produced thousands of
    tractshighly idealized children who are
    converted to Christianity and good citizenship
  • Message those who strove for improvement,
    whether moral, spiritual, or material, would
    probably be successful (Gail Murray 37).

5
Literature for Children Just Say No to Novels!
  • Not a strong fictional tradition until 19th
    century
  • Puritan roots of American publishing
    fictionalizing is sinful, a lielikewise fairy
    tales
  • Novel-reading (esp. by young) leads to depravity,
    corruption, vice, licentious riot, and senseless
    revolution
  • Fails to nurture LOGIC and REASON
  • 18th century and even early 19th novels
    condemned by press, pulpit, educators,
    presidents, doctors, etc.
  • First U.S. authored novel 1789, The Power of
    Sympathy (William Hill Brown)

6
Just Say No!
  • A great obstacle to good education is the
    inordinate passion prevalent for novels, and the
    time lost in that reading which should be
    instructively employed. When this poison infects
    the mind, it destroys its tone and revolts it
    against wholesome reading. Reason and fact,
    plain and unadorned, are rejected. Nothing can
    engage attention unless dressed in all the
    figments of fancy . . . . The result is a bloated
    imagination, sickly judgment, and disgust towards
    all the real business of life.
  • (Thomas Jefferson)

7
Breakthrough of Domestic Fiction
  • Out of Sunday School tradition emerges more
    acceptable fiction for children (girls in
    particular) domestic fiction (mid 19th century)
  • Enshrine home and family as place of
    character-building and moral reformation
  • Women/girls as superior moral forceguide men to
    reformed character
  • Model piety, charity, comfort, self-sacrifice,
    gentility, innocence, etc.
  • Twin ideals of home and Jesus
  • Strong didactic function
  • Image Illustration by May Alcott for
    first edition, Little Women

8
Concord, Massachusetts, 1850
9
Alcott HomesConcord, Mass
  • Left The Wayside, owned by R. W. Emerson, lent
    first to Alcotts (during LMAs early childhood)
    and then to Hawthornes.
  • Right Orchard House, home of Louisa May Alcott
    as older child and young woman. Photographed
    1910-1920. (Library of Congress, Print and
    Photographs Division)
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