Title: Film%20Studies
1Film Studies
- Reality Effects and Truth Effects
2Table of Contents
- 1. Recap
- 2. Take a Photograph or Make a Photograph
- 3. Reality effects and truth effects
3Recap
- Film Realism - a style of filmmaking in which an
attempt is made to represent something familiar
or typical without changing it. - Realist film - a type of films which are
characterized for such a style
4Recap
- Film Formalism - a style of filmmaking whose
primary concern is form to the extent reality is
willingly altered or new reality is recreated. - Formalistic film - a type of films which are
characterized for such a style.
5Recap
- PROBLEMS OF FILM REALISM
- Film is not reality itself but the representation
of it. Thus, filmed reality is subject to
filmmakers alteration and manipulation. - Imaginary relationship between the audience and
the screen - a relationship in which the audience
cannot distinguish the difference between
him/herself and the character on screen. - The parody of such a relationship
6Recap
- When the audience takes people on the screen as
real. - Imaginary relationship the illusion that screen
reality is part of actual reality - Jacques Lacan and Christian Metz
- Imaginary and symbolic relationships
- Woody Allens Play it Again, Sam (1985)
7Recap
- PROBLEMS OF FILM FORMALISM
- It is impossible to create anything which has
nothing to do with the reality we perceive the
filmmaker always rely on what he/she knows, has
learned and experienced in real life. - Symbolic relationship between the audience and
the screen - a relationship in which the audience
is well aware of the difference between his/her
and the screen realities.
8Recap
- Ridley Scotts Blade Runner a SF film about Los
Angeles in 2019 is inspired by the cityscape of
Osaka around 1980.
9 10Recap
- Realism and formalism coexist and interact in
every film - Our task is
- - to identify the extent to which a film is
realistic, formalistic or both - - to explore how filmmakers achieve realism or
formalism
11Take or Make a Photograph
- Photography is a modern invention which has
enabled us to record reality as it really is. - Question Is photography an objective reflection
and recording of reality?
12Take or Make a Photograph?
- Choices of exposure and shutter speed
- - reflect photographers intention.
13Take or Make a Photograph
- John Constables two drawings of the same spot.
- Dedham from Langham
14Take or Make a Photograph
- Composition
- Photographer finding an interesting moment
- Photos by Henri Cartier-Bresson
15Take or Make a Photograph
- The choice of colour or black and white
- - reflects Aesthetic choice
16Take or Make a Sketch
- John Constables series of paintings of the sky
17Take or Make a Sketch
- Constables studies on cloud-formation based on
Alexander Cozens
18Reality Effects and Truth Effects
- Film is not, no matter how realistic it is, the
simple, objective recording of reality but the
rearrangement of it. - Virtual reality, O.K. You know what virtual
means? O.K., it is like really real. So virtual
reality is practically, totally real. But not.
-- Jennifer Jason Leigh as Lois Kaiser in Robert
Altmans Short Cuts
19Reality Effects and Truth Effects
- Realism is a relative concept in two senses
- 1) There is no pure or perfect form of realism.
Some films are more realistic than others. - 2) The filmmakers and the viewers ideas of
reality are relative. -
- An alternative way to describe realism
- To discuss realism in terms of effects which a
film create on the audience.
20Reality Effects and Truth Effects
- Reality Effects - they come into being when
representations in moving images give the
audience the impression that they mimic the
facticity of the world around us, or surface
appearance. Roland Barthes
21Reality Effects and Truth Effects
- Truth Effects - they come into being when
representations in moving images agree with
viewers ideas of what is true about the world in
a general sense. They have to do with whether
texts conform to what she generally believes
about experience. Michel Foucault
22Reality Effects
- Richard Attenboroughs biographical film, Gandhi,
imitates how Mahatma Ghandi looked, how he spoke,
how the world in which he lived looked like and
what his life was like - creation of an
impression that the film is mimicing facticity,
that is, a reality effect.
23Reality Effects
- Jinnah and Ghandi Hunger strike Opening
Assassination
24Reality Effects and Truth Effects
- Moving images have truth-effects even when they
are objectively untrue. They have truth
effects as long as they agree to what the
audience believes true. - Samuel Fullers House of Bamboo (US, 1955)
display the images of Japan and Japanese women.
False for those who know Japan and Japanese women
but true for those who believe them true.
25(No Transcript)
26Reality Effects and Truth Effects
- Truth Effects
- Idealist approach to our cognition
- Things do not exist in themselves. They exist
only as ideas that each of us has of them.
- Reality Effects
- Materialist approach to our cognition
- Things exist independently of the individuals
knowledge of them.
27Reality Effects and Truth Effects
- Materialist conception Idealist
conception
28Film Realism and Reality/Truth Effects
- Our impression of moving images being realistic
or not depends on both reality and truth effects
that they exert on us. - Reality and truth effects as alternative to film
realism
29Reality and Truth Effects
- Describe reality and truth effects found in
Richard Curtis Casablanca (1942) - Casablanca Opening
30Reality and Truth Effects
- Describe reality and truth effects found in
Bernardo Bertoluccis Sheltering Sky (1990)
31Reality Effects and Truth Effects
- Impression of authenticity for another type of
the viewer - Richard Curtiss Casablanca (US, 1942)
- Impression of authenticity for a type of the
viewer - Gino Pontecorvos La Battaglia di Algeri (Italy,
1966)