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The Merchant of Venice

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Written as a romantic comedy since it is about love and ends happily ... At the core of the play is Shylock, the Jewish moneylender. ... Theatrical Traditions of Jews ... – PowerPoint PPT presentation

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Title: The Merchant of Venice


1
The Merchant of Venice
  • Background Information

2
The Merchant of Venice
  • Written some time around 1597
  • Written as a romantic comedy since it is about
    love and ends happily
  • Fuses many dramatic elements romantic courtship,
    riddling love tests, eloping lovers, comic
    confusions, a gripping courtroom trial, and a
    seemingly harmonious final act
  • At the core of the play is Shylock, the Jewish
    moneylender. He only appears in five of the 20
    scenes, but his presence dominates the play.

3
Theatrical Traditions of Jews
  • Roots of Shakespearean drama begin with mystery
    and miracle plays of the Middle Ages, which were
    performed by the church for a largely illiterate
    audience about Old and New Testament stories.
    Jews were often viewed as responsible for
    Christs crucifixion.
  • Jews became the evil villains of Elizabethan
    drama. They were one-dimensional stereotypical
    characters.
  • The Jew of Malta, written in 1589 by Christopher
    Marlowe, is one such work. Marlowe was
    Shakespeare greatest rival.

4
The Jew of Malta
The Merchant of Venice
Both money-lenders Both have daughters who leave
home with fathers money Both despicable
characters
Shylock is presented as a complex man, whose
every action can be understood, and who
ultimately elicits sympathy from the modern
audience.
Barbaras is a villain who steals, cheats, and
indulges in murder until he finally meets a
gruesome end, boiling in oil.
5
Jews in England
  • 1075 in Oxford Jews were not confined to ghettos
    as many of their European counterparts, but they
    were not allowed to be citizens. Because
    Christians could not lend money with interest,
    many Jews earned lucrative livings as usurers.
    In trying to regain debt owed to them, Jews
    became the target of resentment.
  • Late 12th Century Anti-Semitic sentiment
    culminated in two massacres, one at the
    coronation of Richard I in 1189 (30 Jews killed),
    and the other in the city of York in 1190 (150
    Jews killed).
  • In fact, the Magna Carta, is a testament to
    growing Anti-Semitic feelingstwo clauses state
    that if a debtor dies debt is paid, neither heir
    or widow is responsible for paying it.
  • 1275 Jews forbidden to be money-lenders as well
    as other edicts implemented taxation of Jews
    over 12 years old and wearing badges that
    identified them as Jews.
  • 1290 (until 1655) Expelled from England

6
Jews in Elizabethan Society
  • Threat of Civil War
  • Staved off threat of rebellion by dealing
    ruthlessly with threat of treason, real or
    perceived
  • Climate of religious intolerance against
    Christians
  • Jews who converted living quietly in England
    during Elizabeths reign
  • In 1593 Rodrigo Lopez, the Queens physician, was
    accused of trying to poison her, allegedly in
    league with the King of Spain. He was convicted
    of treason and hung in 1594, and because he was
    one of the above Jews, yet another outbreak of
    anti-Jewish sentiment occurred.
  • Therefore, it isnt known whether Shakespeare
    ever came into contact with anyone who was Jewish.

7
Shakespeares Intent?
  • Given the anti-Jewish climate in Elizabethan
    England and Shakespeares portrayal of Shylock as
    a negative stereotype, it would be reasonable to
    assume Shakespeare was an Anti-Semite.
  • However, the rest of the details of the play do
    not support this.
  • It has been suggested that the real evil is the
    corrupt value system of the principal Christian
    characters.Antonio, the merchant of the title,
    is the worst bigot Portia is also a racist, but
    not only were Jews her only victims.

8
Contrasts Presented in the Play
  • Jew against Christian
  • Love against hate
  • Usury against venture trading
  • Mercy against justice
  • Appearances are rarely what the seem gold and
    silver prove worthless, identities are mistaken,
    women disguised as men trick their husbands.

9
Subplots
  • Bond Plot
  • Casket Plot
  • Elopement Plot
  • Ring Plot
  • These plots are interwoven throughout the play.

10
Reading Shakespeare A Review
  • Unlocking Shakespeare's Language, by Randal
    Robinson
  • Unusual Word Arrangements
  • I ate the sandwich. I the sandwich ate. Ate
    the sandwich I. Ate I the sandwich. The
    sandwich I ate. The sandwich ate I.
  • Robinson shows us that these four words can
    create six unique sentences which carry the same
    meaning.  Locate the subject, verb, and the
    object of the sentence.  Notice that the object
    of the sentence is often placed at the beginning
    (the sandwich) in front of the verb (ate) and
    subject (I).  Rearrange the words in the order
    that makes the most sense to you (I ate the
    sandwich). 

11
  • PoetryWe speak in prose (language without
    metrical structure).  Shakespeare wrote both
    prose and verse (poetry).  Much of the language
    discussion we will have in this guide revolves
    around Shakespeare's poetry.  So, it is important
    that you understand the following terms
  • Blank Verse  unrhymed iambic pentameter.
  • Iambic Pentameter  five beats of alternating
    unstressed and stressed syllables ten syllables
    per line.

12
  • OmissionsAgain, for the sake of his poetry,
    Shakespeare often left out letters, syllables,
    and whole words.  These omissions really aren't
    that much different from the way we speak today. 
    We say
  • "Been to class yet?""No.  Heard Albrecht's
    givin' a test.""Wha'sup wi'that?
  • We leave out words and parts of words to speed
    up our speech.  If we were speaking in complete
    sentences, we would say
  • "Have you been to class yet?""No, I have not
    been to class.  I heard that Mrs. Albrecht is
    giving a test today.""What is up with that?"

13
  • A few examples of Shakespearean
    omissions/contractions follow
  • 'tis it is ope open o'er over gi'
    give ne'er never
  • i' in e'er ever oft often a'
    he e'en even
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