AVVISI - PowerPoint PPT Presentation

1 / 20
About This Presentation
Title:

AVVISI

Description:

The funny effect is obtained through opposition to typical stereotypes on women ... Really= strategic discourse and instrumental goals (variables linked to race, ... – PowerPoint PPT presentation

Number of Views:100
Avg rating:3.0/5.0
Slides: 21
Provided by: pip74
Category:
Tags: avvisi | funny | jokes | really

less

Transcript and Presenter's Notes

Title: AVVISI


1
  • AVVISI
  • Risultati prova intermedia affissi aula 305
    bacheca dx failed devono portare moduli
    allorale, voti bassi (24-18) possono rifiutare
    voto al momento di orale e ripetere moduli
  • Iscrizione esame orale scade il 25/3/04
    iscriversi anche se non si conosce il risultato
    dello scritto
  • Paper entro 19/3/04
  • Lezioni terminano 19/3/04 (inclusa)
  • 22/3 PROVA SCRITTA h. 14.30 (scritti Marzo,
    Settembre, Dicembre)
  • 30/3 APPELLO ORALE h. 9.00

2
  • Margaret Thatcher
  • The Falklands Factor
  • Cheltenham, 3 July 1982
  • M.Thatcher conservative (Iron Lady) puritan
    radical politics brushing up old imperial
    politics (absolute power)
  • Falklands battle in 1982, while UK is planning a
    gradual retreat of the Navy from the South
    Atlantic, Argentinians attack the islands
    (south-east of Patagonia) and Thatcher starts a
    victorious naval war (particular appeal to sense
    of national identity)
  • PREDICTION ON TITLE keywords Thatcher/Falklands/
    1982
  • What battle in Falklands
  • Who M.Thatcher
  • To whom British people
  • Channel pubblic speech (recorded by BBC)
  • When 3 July 1982

3
  • TOPIC SENTENCES
  • Par. 1 Yet we also fought alone () for our own
    sovereign territory.
  • Par. 2 There were those who would not () quarter
    of the world
  • Par. 3 The lesson of the Falklands () history
  • Par. 4 We have to see that the spirit () can now
    be fired by peace
  • Par. 5 We have the confidence and we must use it
  • Par. 6 Things are not going to be the same again
  • PURPOSE OF AUTHOR CONATIVE FUNCTION persuade
    audience that Britain is still powerful battle
    was right choice
  • TONE direct (indicative/imperative)
  • STYLE formal (old aristocratic rhetoric)
    passives/ polysyllabic lexis/ impersonal forms/
    complex sentences (subord)
  • LEXIS Germanic (shes trying to get to whole
    population)
  • pronouns we/our vs. their/they
  • IDEATIONAL MESSAGE seeking to represent herself
    as stable/safe in her position divine
    superiority of Britain (imperial race)prove
    English superiority

4
  • What kind of strategy is M. Thatcher using in
    facing a male-dominated filed such as politics?
  • C. Walsh, J. Coates 3 strategies
  • Uncritical acceptance of pre-existing masculinist
    norms Assimilation
  • Active promotion of alternative norms associated
    with womens speech Redefinition
  • Performative view of gender (shifting between M/F
    depending on situation) New dimensions for
    comparison
  • Sex biological category (cant be modified),
    gender sociological category (socially
    constructed Feminine/Masculine) part of social
    construction is language (tool for power)
  • women can be masculine as far as gender is
    concerned Thatcher even learnt how to modify her
    language/pitch of her voice in order to sound
    like a man
  • stereotypes reflected in language (see next
    slide)

5
  • Womens style J. Coates 1986
  • -tentative utterances hedges (you know, sort
    of, just), tentative tone (less aggressive) like
    modality, think/seemlexically modal, if modal
    adjunction, probably modal adverb,
    reallysoftener
  • -inclusive we to stress belonging to a group
  • -tag-questions (addressee oriented
    modal/affective meaning)
  • -questions (3 times as many as men)
  • -politeness (paying lot of attention to mens
    negative face wants need not to be imposed on
    their positive face wants need to be liked)
    Lakoffs politeness rules Dont impose
  • -indirectness (defensiveness or positive face
    Brown Levinson need to be able to save face
    by reneging if conversational contribution not
    received well I never said that)

6
  • Daily Mail (8 May 1997)
  • The women frothed out from Church House,
    Westminster, in a multicoloured tide. It was
  • like Chelsea Flow Show meets the Girls Guides,
    as the fuchsia suits loved by the likes of
  • Margaret Beckett, and Barbara Folletts
    glittering emerald green mingled with more
  • sombre browns and beiges.
  • -Frothed out both to come out like foam and
    to chat lightly
  • -The women writer is clearly not a woman
  • -Westminster politicians
  • -Multicoloured tide/fuchsia suits/ glittering
    emerald green/ sombre browns and beiges
    gay/frivolous
  • -Chelsea Flow Show/ Girls Guides parata di
    Chelsea/giovani scouts playing down their
    importance as MPs
  • We woud never expect such a description if MPs
    were men Blairs group of women MPs were given
    the nickname Blairs Babes (allusion to Playboy
    babes frivolous/superficial stereotyped image of
    women) masculinist discoursive norms
  • Communication is basic both in social
    commitment and in media discourse media tend to
    keep stereotypes on 2 sexes gendering approach
    (M/F identities)
  • Stereotypes on women are ideologically
    significant iconic aspect of communication can
    express ideological issues

7
  • E. Currie _ Express on Sunday (3 March 1985)
  • I think that Margaret Thatcher and I would both
    say that we are not women MPs.
  • Were MPs. I dont represent women. I represent
    76,000 people.
  • Repetitions /use of pronouns
  • Double structure Thatcher and I
  • we are not/we are contrast
  • I dont represent/ I represent
  • Women as public figures are still marginalised
    and diminished women social commitment is an
    interesting field as for SOCIAL CONSTRAINTS
    (although changing variable, implied but not so
    strong), DISCOURSIVE PRACTICE (normscreativity
    margin), PUBLIC/PRIVATE DICHOTOMY
  • Even though Currie is experienced politician she
    is not taken seriously (like Blairs Babes) as
    representative of whole population she claims
    her competence as deputy IDENTITY SUB-FUNCTION

8
  • Communication is basic both in social commitment
    and in media discourse media tend to keep
    stereotypes on 2 sexes gendering approach (M/F
    identities)
  • Gender is not simply a pre-existing identity, but
    helps constituting, maintaining, transforming ID
    in everyday situation via talk and paralinguistic
    behaviour that accompanies it (reinforced through
    feedback)
  • Metadiscoursive control by others (media)
    constraints the process of ongoing ID formation
    feminine/masculine stereotypes are reinforced
  • metadiscoursive gap difference btwx individual
    way to practice stereotypes (difference btwx how
    gender is practiced and how it is represented in
    stereotypical standards)

9
  • Margareth Thatcher a joke
  • Through some cosmic fluke, Reagan, Thatcher, and
    Gorbachev all died on the same day.
  • Off they went to the gates of Heaven. Peter,
    seeing that these were all VIPs, sent them
  • straight off to the Almighty.
  • God, sitting on his throne, called up Reagan.
    Ronald, my son, what have you to say for
    yourself?
  • I tried to improve the US economy, replied
    Reagan, and I did my best to benefit the
  • nation.
  • Very well, my son, come up and sit beside me at
    my right hand. And so Reagan sat at
  • his right. God then called up Gorbachev.
  • Mikhail, my son, what have you to say for
    yourself?
  • I tried to make Soviet society more open,
    replied Gorbachev, and I did my best to
  • improve the Soviet economy.
  • Very well, my son, come up and sit beside me at
    my left hand. And so Gorbachev sat
  • at his left.
  • God then called up Thatcher.
  • Margaret, my daughter, what have you to say for
    yourself?
  • Only two things, replied Thatcher. First of
    all, Im not your daughter. Secondly, get out
  • of my chair!

10
  • Holy Trinity embodiment of male power
    (Father-Son) Thatcher breaks the direct lineage
    (Im not your daughter) with typical response to
    paternalistic approaches she claims the throne
    for herself (atypical woman proud, determined,
    unashamed)
  • She uses 1st strategy uncritical acceptance of
    masculinist norms imitating masculin modality of
    communication (imperative/indicative direct)
    themes/topic (1st hierarchy takes place in
    family daughter different from son / when W
    chooses independence she finds a brotherhood
    (even linguistic) against her (LEXICAL CHOICES)
  • The funny effect is obtained through opposition
    to typical stereotypes on women in a
    male-oriented society a woman is not supposed to
    be so self-conscious and shes not allowed to be
    (social constraints / social construction of
    gender)
  • Linguistic conventions to be followed in leisure
    activities in modern society main feature is
    readiness to departure from norms of language
    usage breaking the rule to create special effects
    (playing with language funny, entertaining,
    intriguing) doing something unexpected with
    language
  • jokes stereotyped openings/predictable
    internal structure

11
  • Literary English
  • We dont use language only to represent the world
    around us and to carry out our social lives we
    use it also for recreation, relaxation and
    pleasure spoken/written discourse that dont
    serve a practical purpose
  • This use of language can be found in literature,
    the paradigm case of language art part of its
    function is conveying info and to enable us to
    explore hypothetical situations, but these
    utilitarian explanations are not sufficient
    from practical point of view, literary language
    is superfluous
  • In these cases we have to investigate
  • The way English is used (connected to EXPRESSIVE
    FUNCTION)
  • Why people enjoy and value these apparently
    useless uses so much
  • Literary language often described as CREATIVE
    generating imaginative fictional worlds,
    expressing original insight into the real world
    and skilfully manipulating language to create
    patterns and new usages

12
  • Categories multiple identities of true-born
    Englishmen English-speaking but not English-born
    (Woolf, Gandhi, while Thatcher/Edward VIII true
    born)
  • Gender/ID built intersubjectively (through
    relationships)identity is crucial for validity
    of language many ID criteria intersecting with
    gender in a way that often disadvantages women
  • Not only do men dominate women, but also other
    men (i.e. able-bodied over disables, heterosexual
    over homosexual, one race over another)
  • Power-oriented relationships are reflected in
    language Habermas 1989 COLONIZING DISCOURSE
  • Ideally communicative discourse types oriented
    towards impersonal goals
  • Really strategic discourse and instrumental
    goals (variables linked to race, class, gender)
    here not only meaning is relevant, but also the
    power they want to express (up-position,
    down-position) opposed by discoursive norms
    favoured by women (they tend not to take into
    account power in their social relationships no
    social hierarchy but peers)

13
  • Virginia Woolf
  • As a woman I have no country
  • from Three Guineas, 1938
  • Writer of 1st half of 19th century, woman,
    writing at beginning of 2nd ww, asked to
    participate to a collection of money (3 guineas
    each) for soldiers her thoughts on the subject
  • PREDICTION ON TITLE keywords V.Woolf/woman/count
    ry/1938
  • What women and their country
  • Who V.Woolf
  • To whom public of readers ( women)
  • Channel book
  • When 1938
  • TOPIC SENTENCES
  • Par. 1 It is, briefly, not to incite () but to
    maintan an attitude of complete indifference
  • Par. 2 as fighting is a sex characteristic()so
    it is an instinct which she cannot judge
  • Par. 3 But the outsider will () base her
    indifference upon () reason
  • Par. 4 All these facts will convince her () her
    person in the future is highly dubiuos
  • Par. 5 When all these comparisons have been made
    () reasons for her indifference

14
  • PURPOSE OF AUTHOR
  • EXPRESSIVE FUNCTION focus on language as means
    of literary artistic expression
  • CONATIVE FUNCTION persuade women to adopt an
    attitude of indifference
  • TONE direct (prevalence of infinitives
    indicative futures, significant alternation btwx
    present/ present perfect conitnuity/ some
    imperatives and modals irony about social
    stereotypes)
  • STYLE literary, quite informal (active/
    polysyllabic lexis/ personal forms/ simple and
    complex sentences (coordination/subordination
    paratactic structure)
  • LEXIS prevalence of germanic lexis, but mixed
    with latinate (literary text intrinsic
    complexity in choice of lexis)
  • PRONOUNS significant alternation (him, he, his,
    himself vs she/her/herself) only in last
    paragraph I/You, my/our only one US not
    inclusive in meaning (me/you)
  • REPETITIONS she will, our country, he cannot
    share/she cannot share, he says single terms
    (indifference, man/woman, instinct, reason,
    England, duty, outsider, country, patriotic,
    foreigner etc.

15
  • Mahatma Gandhi
  • Non-violence is the first article of my faith
  • Ahmadabad, 23 March 1922
  • DECOLONISATION(process between 2 wars) UK since
    19th century (dominions autonomous communities
    obedience to British Crown) 1931 Commonwealth
    (res publica free federation of States)
  • 1947 India one of first dominions to have
    independence stronger national feelings/cultural
    identity refined/educated èlites are able to
    guide national movements for independence
  • Gandhi civil disobedience (refusal of Civil
    Service impieghi pubblici and of Civil
    Institutions) and non-violence he fights for
    united India, but division btwx muslims/hindu
    1947 two indep. States Indian Union (hindu),
    Pakistan (muslim) Gandhi killed 1948 by hindu
    fanatic (vs. non-violence against muslims)
  • PREDICTION ON TITLE keywords Gandhi/non-violence
    /1922
  • What trial speech in court
  • Who Gandhi
  • To whom judge/jury
  • Channel official record
  • When 23 March 1922

16
  • TOPIC SENTENCES
  • Par. 1 I am here, therefore, to invite and submit
    to the highest penalty(..)citizen
  • Par. 2 I should explain why (..) disaffectionist
    and non-cooperator
  • Par.3 I discovered that as a man () because I
    was an Indian
  • Par. 4 I saw too that not only () prolonging her
    servitude
  • Par. 5 I came reluctantly () had made India more
    helpless (..) economically
  • Par. 6 In my opinion the administration of the
    law () benefit of the exploiter
  • Par. 7 I am satisfied that many () steady though
    slow progress
  • Par. 8 to invite and submit cheerfully ()
    highest duty of a citizen
  • PURPOSE OF AUTHOR
  • REFERENTIAL FUNCTION (identity sub-function)
    describe situation, explain his choices, define
    himself as free Indian
  • CONATIVE FUNCTIONpersuade judge/jury and move
    them to his point of view

17
  • TONE direct (prevalence of indicative
    present/past alternated for statements/digression,
    must as intensifier)
  • STYLE quite formal, although mainly active verbs
    (polysyllabic lexis/ personal forms/ simple and
    complex sentences (coordination/subordination
    paratactic structure)
  • LEXIS prevalence of germanic lexis, but mixed
    with latinate (trial speech hes educated
    trying to show hes not inferior, trying to
    articulate discourse on many different levels)
  • PRONOUNS significant use of feminine/masculine
    for India/ UK reproducing relationship of
    ruler/ruled (power/domination) total
    predominance of I/my/me only few you
  • REPETITIONS structures words (India, country,
    people, England, risk) all repetitions can be
    reduced to 2 main clusters of words
  • Related to law/government penalty, crime,
    authority, law, administer, Government, system,
    service
  • Related to Empire / exploitation Empire,
    cooperation/non-cooperator, foreign exploiter, my
    people

18
COMPARISON V.WOOLF AND GANDHI
  • disaffectionist and non-cooperator
  • Indian / against Europeans
  • My public life beganpossible by such services to
    gain a status of full equality in the Empire for
    my countrymen. The first shock came
  • A disarmed India has no power of
    resistancedeprivation of self-defence
  • justice has been denied to Indians/ Goverment
    estabilished by law in British India
  • she has become so poor that she
  • Foreign exploiter/exploitation/humilia
    tions/servitude
  • Non-cooperation with evil is as much a duty as is
    cooperation with good
  • As a man and as an Indian I had no rights

19
  • An Interview to Lady D
  • (BBC transcript) BBC Panorama, November 1995
  • PREDICTION ON TITLE keywords Interview/Lady
    D/BBC/1995
  • What interview on being part of Royal Family
  • Who Lady Diana
  • To whom TV audience
  • Channel TV (BBC program)
  • When November 1995
  • Which strategy?

Active promotion of alternative norms
(challenging/daunting repetition of
words/structure)
A representative of formal power commenting on
her marriage she displays feminine features in
language and style i.e. focus on feelings of
wife/husband (social stereotype)
20
  • TONE tentative (Would modal, Seem/think
    lexically modal, desperately here lexically
    modalrepetition) more emotional
  • STYLE informal (Short sentences, Coordinating
    conjunctions,Verb forms (-ing), Personal forms,
    Active voice) she presents herself as
    stereotyped wife (not direct, she would be guided
    by her husband-to-be she wasnt like that)
  • LEXIS monosyllabic, germanic (clusters on
    family husband, marriage, divorced parents,
    family, team, engaged, together)
  • REPETITIONS reinforcing simple strategy
    husband/marriage, daunting/challenge are most
    recurring words we/to share structures
  • PRONOUNS feminine use (INTERPERSONAL FUNCTION)
    to reinforce the relation, even more in interview
    (relation is primary in communication) I/you
    idea of dialogue
Write a Comment
User Comments (0)
About PowerShow.com