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The Minnaert Project

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Often vivid colors during sunrise/sunset. Shoreline Park, CA Shoreline Park, ... The scene around Alcatraz at sunset is tinted pink because of the scattering of ... – PowerPoint PPT presentation

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Title: The Minnaert Project


1
The Minnaert Project
  • A Visual Approach
  • By Xijia Chen

2
The Book and The Project
  • The Book
  • M.G.J. Minnaerts Light and Color in the
    Outdoors
  • Scientific explanations for multiple lighting
    phenomenon
  • The Project
  • Purpose To capture examples of the
    above-mentioned effects in order to demonstrate
    and compliment his descriptions
  • Reason A picture is worth a thousand words

3
Equipment Used Places Traveled
  • Digital Camera
  • Kodak DC280
  • Places Traveled
  • Stanford University, Stanford, CA
  • Shoreline Park, Mountain View, CA
  • Foster City, CA
  • Fishermans Wharf, San Francisco, CA

4
Reflection by the Clouds
  • Characteristics of Clouds p.324, Section 235
  • Dazzling white where sun illuminates them
  • Gray underneath as they pass overhead
  • Opaque white body -- light reflected by numerous
    droplets of water
  • Silver lining if sun is covered by cumulus
    cloud
  • Often vivid colors during sunrise/sunset

5
Shadows
  • When you look at your shadow on the ground, you
    will notice that the shadow of your feet is
    clearly defined, whereas that of your head is
    not. The shadow of the bottom part of a tree or
    post is sharp, while that of the higher part part
    becomes increasingly unclear toward the top.
    p. 4
  • Stanford University, CA
  • Notice near the base of the lamppost, the shadow
    is distinct and mostly consists of the umbra,
    whereas at the bulb, the penumbra is more visible
    and the shadow is much less crisp.

6
Shadows (continued)
  • Stanford University, CA
  • Notice that the spokes at the bottom of the tire
    are slightly visible whereas those at the top are
    not due to the merging of the penumbra and umbra.
    This is another example of the gradation from
    clear to blurry shadows.

7
Differences Between an Object and Its Reflection
(Part 1)
  • the reflection of a scene in calm water
    resembles the scene itself upside down. Nothing
    could be further from the truthThe reflection of
    a bank sloping towards a river appears
    shortened p. 11
  • El Camino Reale, Stanford, CA
  • Notice that the distance from the real car and
    brown hill to the curb (marking the horizon)
    seems larger than the distance from those objects
    to the curb in the reflection

8
Differences Between an Object and Its Reflection
(Part 1 continued)
  • Explanation Although the object and its
    reflection are identical, their positions are
    different, therefore the perspective of the
    viewer w/ respect to each is shifted differently

9
Differences Between an Object and Its Reflection
(Part 2)
  • Clouds are never as beautiful as when they are
    reflected in a mirror
  • P. 13
  • The reflection of clouds in the water is clearer
    than the clouds in the sky.
  • P. 20
  • Shoreline Park, Sunnyvale, CA
  • Notice whereas the sky is almost white, the
    clouds in the canal are fairly distinct

10
Differences Between an Object and Its Reflection
(Part 2continued)
  • Explanation Mostly psychological
  • The reflected view always associated as being in
    a plane
  • framing of the picture results in uncertainty
    about the position, giving an impression of
    relief
  • Protects our eyes from brightness of directly
    looking at the sun
  • Polarization of reflection luster attenuated
    and colors saturated

11
Freak Reflections
  • A row of houses throws a dark shadow on to the
    road, but in the middle of this you often see
    spots of lightit is reflected by the windows of
    the houses on the other side of the road. p.
    15
  • Stanford University, CA
  • Although all of these surfaces were in shadow,
    they each exhibit one or more bright spots due to
    reflections from opposing windows.

12
Reflections in Soap Bubbles
  • Try blowing soap bubblesThe side turned toward
    usshows the same upright images as the spherical
    mirror,the inside backinverts the images. p.
    21
  • The magnificent shades of color, the changing
    tints p. 21
  • Stanford University, CA
  • In the left bubble, both the ceiling light,
    bubble wand and their respective inverses can be
    seen. Although the right bubble only shows the
    ceiling light, the striations of the rainbow
    colors can be faintly seen.

13
Window Glass vs. Plate Glass
  • The reflections from windows indicate whether
    they are of normal window glass or plate glass
    if the latter, the images are fairly clear, if
    the former, they are so irregular that the
    uneveness of the glass can be seen clearly
    p.22
  • Rengstroff House, Foster City, CA
  • Shoreline Park
  • Notice how the image in the left window is almost
    a mirror reflection, whereas the cars in window
    on the right curve upward and then back down

14
Irregular Reflections by a Slightly Rippled
Surface (Part 1 Houses)
  • Dominance of Vertical Lines in Reflections
  • A chimney or a thin mast is reflected clearly,
    but the strong lines of the roofs have
    disappeared only the vertical lines are found
    back in the reflections. p. 24
  • Foster City, CA

15
Irregular Reflections by a Slightly Rippled
Surface (Part 1continued)
  • Foster City, CA
  • Notice that in both pictures, the vertical lines
    of the chimney are strongly apparent whereas the
    horizontal lines are blurry and indistinct

16
Irregular Reflections by a Slightly Rippled
Surface (Part 2 -- Streetlights)
  • Vertical Columns of Light (Streetlights)
  • Observing a streetlight at night gives us the
    elementary phenomenonan upright line, the
    columns are neatly stacked together and magnify
    each other a horizontal line, they lie side by
    side and broaden the line to a hazy surface.
    p. 24
  • Fishermans Wharf, San Francisco

17
Irregular Reflections by a Slightly Rippled
Surface (Part 2continued)
  • Fishermans Wharf, San
    Francisco
  • In both pictures, the reflection of the
    streetlamps are stretched in the vertical
    direction. Since the water is slightly rippled,
    each wave reflects a separate image, gently
    adding up to an elongated column that remains
    vertical in the plane of our eyes regardless of
    whether the lamps are actually in the plane of
    the page (previous page -- the lamp on the left)
    or tilted out of the plane of the page (previous
    page -- the row of lamps on the right). This
    verticality is sometimes affected by factors such
    as wind, etc.

18
Closed Light Coils
  • Remarkable is the appearance of closed coils of
    light seen when the water surges gently, the
    waves have short crests, and the light source is
    high. p. 31
  • Shoreline Park, CA
  • Explanation If you look at the water at a large
    angle, the light is reflected by two separate
    spots of light on each wavelet. By looking left
    or right, the reflections will appear to get
    closer together until they fuse into the closed
    irregular annulus that you see.

19
The Shifting of Reflected Images Toward the
Horizon
  • The reflection of the sun in the waves is a
    dazzlingly bright patch, which, as the sun sets,
    is more or less triangular in shape, showing a
    shift towards the horizon. p. 35
  • Foster City, CA Shoreline Park, Sunnyvale, CA
  • Notice that the photo on the left (taken towards
    sunset at high wind) has a triangular reflection
    whereas the reflection in the photo on the right
    is very obviously a vertical column

20
Stained-Glass Windows
  • Even the most brightly colored stained-glass
    windows look dull when seen from the outside.
    p. 124
  • Stanford University, CA
  • Whereas from the outside, the stained-glass looks
    somewhat dull and dark because the light is
    reflected and the light coming from inside is
    faint, from the inside, the colors burst to life
    due.

21
Scattering of Light By Clouds
  • Certain kinds of cloud obscure the sharp outline
    of the sun until only a round mass of light
    remains that grows fainter towards its
    periphery. p. 283
  • San Francisco, CA
  • By blocking the suns disk, the cloud has
    obscured the suns light exactly as Minnaerts
    book describes. Even more intriguing are the
    distinct rays or bands of sunlight that
    emerge from the clouds, tracing a clear path
    across the sky.

22
Refraction by an Undulating Water Surface
  • When a water surface is not perfectly smooth,
    this is revealed by a change in direction of
    broken rays of light and an uneven brightness at
    the bottom. p. 46
  • Stanford University, CA
  • The brightness of the water is obviously uneven
    in this fountain behind The Memorial Church.
    Clear patches of bright white interspersed with
    darker colors illustrate the broken rays of
    light effect.

23
The Colors of Sunset
  • The light that we see at sunset in the direction
    of the sun has the blue component removed, so
    that we see a red sun. Plate 35
  • San Francisco, CA
  • The scene around Alcatraz at sunset is tinted
    pink because of the scattering of blue light due
    to the longer distance light has to travel
    through the atmosphere in order to reach our
    eyes.

24
Miscellaneous
  • Distant houses only reflect the light of the
    rising or setting sun p. 10
  • San Francisco, CA

25
Fin
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