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Moving, Drawing, Writing:

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Bring both hands next to your shoulders & very slowly press them away from your body. ... use of color, line, texture, shapes & other components of a visual ... – PowerPoint PPT presentation

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Title: Moving, Drawing, Writing:


1
Moving, Drawing, Writing
  • Exploring Different Forms of Literacy

2
Verbal Nonverbal Communication
  • Verbal communication - involves spoken written
    words
  • Nonverbal communication -involves movement,
    gestures, pictures, drawings different types of
    sounds other than language

3
Picture Languages
  • Humans have used a number of
  • picture languages such as . . .
  • Ancient Egyptian hieroglyphics
  • Aztec glyphs
  • Petroglyphs of the Chacoan other ancient
    indigenous people of the Americas

4
Sign Language
  • Sign language is another form on nonverbal
    communication. For example . . .
  • When a signer positions the hands diagonally with
    the palms facing, touches the finger tips then
    moves both hands diagonally downward, the word
    house is communicated.
  • And to communicate shoes, the signer holds both
    hands in fists with the palms facing downward,
    and then moves the fists horizontally towards
    away from each other.

5
The written word movement in terms of . . .
  • Phrases
  • Phonology
  • Morphemes
  • Syntactics
  • Semantics

6
Connecting Movement Word Phrases . . .
  • A dance is made up of many movement phrases just
    as a sentence or paragraph is made up of word
    phrases.
  • It is also possible to capture the rhythm of a
    series of phrases in movement by using longer
    movements for phrases that are emphasized and
    shorter movements for less stressed phrases.
  • For example in the sentence I had a red hat you
    can stress the phrase a red hat to create a
    movement rhythm consisting of short long
    actions.
  • This rhythm could be diagrammed as
  • __ _____.

7
Connecting Movement Phonology . . .
  • Phonology refers to the small units of sound that
    make up a language such as b, ph or g.
  • It is possible to create movements that copy such
    sounds.
  • For example - A slow, sustained action copies the
    sound of st while a dabbing action is like the
    g sound.

8
Connecting Movement Morphemes . . .
  • Morphemes are the smallest unit of meaning in a
    language.
  • A simple word such as dog is a morpheme.
  • Single movements or gestures also communicate
    meanings.
  • For example - Gestures such as beckoning or
    waving have a meaning.

9
Connecting Movement Syntactics . . .
  • Syntactics refers to the rules of grammar.
  • One rule in English is proper word order. In
    English we say red hat, but in French chapeau
    rouge is the proper word order.
  • Movement order is also important.
  • For example - A mime can pretend to open a drawer
    take out an object, followed by removing his
    hand closing the drawer. But if the mime fails
    to remove his hand before closing the drawer, a
    different meaning is communicated.

10
Connecting Movement Semantics . . .
  • Semantics refers to shades of meaning conveyed by
    language.
  • The words mashing potatoes have a different
    meaning from the words slicing potatoes.
  • Similarly, the movements performed in a Romantic
    Ballet send a different message than the
    movements of hip hop dancing.

11
What is movement literacy?
  • It is . . .
  • Being sensitive to variations in your body or
    kinesthetic feelings when performing different
    movements.
  • Understanding that different movements
    communicate different messages.

12
Exploring Movement Literacy
  • Perform the following actions as you concentrate
    on the body feelings you experience.
  • Pierce the space around your body with one arm.
  • Bring both hands next to your shoulders very
    slowly press them away from your body.
  • Walk as if you are walking on very sticky mud.
  • Walk as if you are surrounded by a dense fog.

13
Following the movement exploration . . .
  • Write down as many words as you can think of that
    describe the body feelings you experienced in
    each exploration experience in the previous
    slide.
  • Were the words you wrote down different when you
    were describing your body feelings for the
    different exploration experiences?

14
Now lets carry this exercise a bit farther.
  • Draw two visual symbols that you think represent
    two of the body feelings you experienced in the
    movement explorations you just completed.
  • Examples of two such visual symbols are shown on
    the right.

15
Another way to connect movement drawing . . .
  • It also possible to
  • draw a diagram
  • that represents the
  • pathway or floor
  • pattern followed by
  • two dancers in a
  • dance. An example
  • is shown at the
  • right.

16
Yet another way to connect movement drawing . .
.
  • In addition, it is
  • possible to draw a
  • diagram that
  • represents the
  • changes in energy
  • quality performed
  • by one dancer in a
  • dance as seen at
  • the right.

17
Visual artists visual literacy
  • Being sensitive to the use of color, line,
    texture, shapes other components of a visual
    work of art is called visual literacy.
  • Students of the visual arts study in order to
    develop their visual literacy just as dancers
    perfect their movement or kinesthetic literacy.

18
More work with movement literacy . . .
  • In dance education we use specific words to
    describe our movements.
  • These words include the following movement
    components direction, level, size, timing,
    duration, rhythm, quality, shape, pathway
    position.

19
A final exercise in movement literacy . . .
  • Perform a simple series of movements such as . .
    .
  • Walk over to a chair sit down on it and then
    stand walk away from the chair.
  • Then, describe your movement sequence using the
    movement components listed on the previous slide.
  • For example you may walk in specific directions
    to move towards away from the chair. When you
    sit on the chair stand, you change levels.
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