Title: Programming as Design Methodology
1Programming as Design Methodology
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3- In the first lecture this course was described as
the junction point between - Context, Design Technology
- The CONTEX for most architectural problems is
given, it is both the question and the
surrounding conditions. - The DESIGN is the logical creative reaction to
the CONTEXT. - - The TECHNOLOGY used is part of the DESIGN
PROCESS, the method used to come up with an
appropriate solution for the problem presented
within the CONTEXT.
4The use of TECHNOLOGY in design
5The use of TECHNOLOGY in design The ability to
use technology to create a design, should never
be confused with the ability to design well.
6The use of TECHNOLOGY in design The ability to
use technology to create a design, should never
be confused with the ability to design well.
Good design comes from a solid understanding of
the CONTEXT, skilled manipulation of the chosen
TECHNOLOGY, and a strong commitment to the
DESIGN process.
7The DESIGN process The act of designing is a
process It takes skill, experience, critique,
refinement, creativity logic to create
appropriate design. The computational
capabilities of the computer can dramatically
speed-up the process of creating a design. In
doing so it may allow for many more cycles of
refinement, much more logic invested into the
project, however it can never replace the
critical eye and creative adaptability of the
designer.
8Programming as Design Methodology The computer
is intended As a computational machine able to
execute logical statements very rapidly. This
capability allows for an increases in the speed
of workflow, opportunity for refinement, the
complexity of the solutions it also facilitates
the ability to test the given design under
contextual parameters.
9The PRODUCTION and DESIGN CYCLE Most digital
architects are still using the computer and
specifically CAAD software to generate the
construction documents and drawings. The act of
design is still conducted in the traditional
manner using traditional tools.
10Architects who employ Programming as design
methodology
11Architects who employ Programming as design
methodology
ESTABLISHED Bernard Cache - Objectile Gregg Lynn
- Form Bernard Franken Franken Architects Frank
Gerhy F O Gerhy and Associates Sir Norman
Foster Foster and Associates Mark Burry -
SIAL DEVELOPING DeCOi Jakob MacFarlane SHoP
Architects
12Bernard Cache Objectile Theoretician and
historian
13Bernard Cache Objectile
14Bernard Cache - Objectile
15Bernard Cache - Objectile
16Bernard Cache - Objectile
17Bernard Cache - Objectile
18Bernard Cache - Objectile
19Bernard Cache - Objectile
20Greg Lynn - Form
21Greg Lynn - Form
22Greg Lynn - Form
23Greg Lynn - Form
24Greg Lynn - Form
25Greg Lynn - Form
26Greg Lynn - Form
27Greg Lynn - Form
28Greg Lynn - Form
29Greg Lynn - Form
30Greg Lynn - Form
31Bernhard Franken Franken Architects
32Bernhard Franken Franken Architects
33Bernhard Franken Franken Architects
34Bernhard Franken Franken Architects
35Bernhard Franken Franken Architects
36Bernhard Franken Franken Architects
37Bernhard Franken Franken Architects
38Bernhard Franken Franken Architects
39Bernhard Franken Franken Architects
40Bernhard Franken Franken Architects
41Bernhard Franken Franken Architects
42Bernhard Franken Franken Architects
43Bernhard Franken Franken Architects
44Bernhard Franken Franken Architects
45Kas Oosterhuis ONL
46Kas Oosterhuis ONL
47Kas Oosterhuis ONL
48Kas Oosterhuis ONL
49Frank Gerhy F O Gerhy Associates
50Frank Gerhy F O Gerhy Associates
51Frank Gerhy F O Gerhy Associates
52Frank Gerhy F O Gerhy Associates
53Frank Gerhy F O Gerhy Associates
54Frank Gerhy F O Gerhy Associates
55Frank Gerhy F O Gerhy Associates
56Frank Gerhy F O Gerhy Associates
57Sir Norman Foster Foster Associates
58Sir Norman Foster Foster Associates
59Sir Norman Foster Foster Associates
60Sir Norman Foster Foster Associates
61Sir Norman Foster Foster Associates
62Sir Norman Foster Foster Associates
63Sir Norman Foster Foster Associates
64Sir Norman Foster Foster Associates
65Sir Norman Foster Foster Associates
66Sir Norman Foster Foster Associates
67Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
68Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
69Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
70Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
71Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
72Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
73Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
74Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
75Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
76Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
77Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
78Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
79Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
80Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
81Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
82Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
83Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
84Mark Burry SIAL RMITRoyal Melbourne
Institute of Technology
85Smaller architecture practices.....
86DeCOi Architects Mark Goulthorpe
87DeCOi Architects Mark Goulthorpe
88DeCOi Architects Mark Goulthorpe
89DeCOi Architects Mark Goulthorpe
90DeCOi Architects Mark Goulthorpe
91DeCOi Architects Mark Goulthorpe
92DeCOi Architects Mark Goulthorpe
93DeCOi Architects Mark Goulthorpe
94DeCOi Architects Mark Goulthorpe
95Jacob MacFarlane Architects, Paris
96Jacob MacFarlane Architects
97Jacob MacFarlane Architects
98Jacob MacFarlane Architects
99Jacob MacFarlane Architects
100Jacob MacFarlane Architects
101Jacob MacFarlane Architects
102SHoP Sharples Holden Pasquarelli Architects
103SHoP Sharples Holden Pasquarelli Architects
104SHoP Sharples Holden Pasquarelli Architects
105SHoP Sharples Holden Pasquarelli Architects
106SHoP Sharples Holden Pasquarelli Architects
107SHoP Sharples Holden Pasquarelli Architects
108SHoP Sharples Holden Pasquarelli Architects
109Conclusions
110- Conclusions
- - Large architects vs. Small architects
- Cost of innovation
- Cost of production
- Available budget
- Willingness of the client to innovate
- Trust and experimental design freedom given to
the architect
111Conclusions The use of programming within the
design process is practical when there is a need
for flexibility, or if repetition and complexity
are a direct part of the design
solution. Programming is an additional tool
within the design palate of the architect, but
should never be seen to replace the skills and
creativity of the designers.
112Conclusions With a greater understanding of how
the computer is actually working, the design
process can evolve to better fit the working
environment. The usefulness and dependancey on
the computer as a DESIGN MEDIUM will only
increase in the future, so being able to take
APPROPRIATE advantage of the computational power
can furthur enhance designs and complexity with
architecture. New CAAD programs are currently
being released which furthur enhance the ability
to program and make logical links between
geometry. Programs such as AutoCAD REVIT,
MicroStation Generative Components, and
CATIA-Digital Project, are all aimed at the
generative Architectural design market, and
will be making significant changes to the
practice over the next 10 years.
113Conclusions The combination of CAAD and CAAM are
a natural extension to the workflow of programmed
design and the DIGITAL CHAIN. The ability to
rapidly prototype and fabricate models,
components, mock-ups, and even full scale parts
makes this working methodology more precise,
flexible, efficient, and fast.
114- Conclusions
- Using programming within the design methodology
- - Programming is simply a different way of
designing, using different tools, but similar
repetative logic. - Programming should be regarded as a compliment
to traditional design the computer will never
replace the intuitive capabilities of the
architect in the making of beautiful space. - Programming should be employed with common
sense, where it is appropriate to the intended
solution. - When applied intelligently, programming can
optimize a design, can dramatically simplify
production output. - The digital chain is reinforced by the inclusion
of programming in its process, but is only
effective if the entire procedural chain is
designed and optimized for best result.
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