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Rib Radiography

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Must see the first rib for accurate counting. ... Two to three inches anterior to mid coronal plane can also be used as reference. 44 ... – PowerPoint PPT presentation

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Title: Rib Radiography


1
Rib Radiography
  • The region or area of injury or pain will
    determine the views taken.
  • Anterior rib injury calls for P-A and anterior
    oblique views.Like the chest oblique, the
    affected side will be away from the film.
  • Posterior rib injury calls for A-P and posterior
    oblique. The affected side is next to the Bucky.

2
Rib Radiography
  • Anterior ribs are considered above the
    diaphragms. Breathing instructions will be full
    inspiration.
  • Posterior ribs can be above or below the
    diaphragms. Above the diaphragms calls for deep
    inspiration. Below the diaphragms calls for full
    expiration.

3
Rib Radiography
  • Ribs above the diaphragms should be taken erect.
  • Ribs below the diaphragms can be taken erect but
    the diaphragms will move higher when taken
    recumbent.
  • A small lead marker or BB taped to the area of
    tenderness can help in the interpretation of rib
    films.

4
A-P Upper Posterior Ribs
  • Measure A-P at mid chest.
  • Protection Half apron
  • SID 40 Bucky
  • No tube angle
  • Film 14 x 17 regular I.D. up Portrait
  • Marker Affected side.

5
A-P Upper Posterior Ribs
  • Patient stands facing the tube. Place top of film
    two inches above the shoulder.
  • Center horizontal central ray to film.
  • Vertical central ray centered to the affected
    side unless patient is very small.

6
A-P Upper Posterior Ribs
  • Collimation top to bottom less than film size.
  • Collimation side to side skin of affected side.
  • Instruction patient to roll shoulder forward and
    take a deep breath in and hold.
  • Make exposure and let patient relax.

7
A-P Upper Posterior Ribs Film
  • Must see the first rib for accurate counting .
  • From thoracic spine to skin of affected side must
    be seen.
  • With proper respiratory effort, should see down
    to 10th rib.

8
Upper Posterior Ribs Oblique
  • Measure A-P at mid chest.
  • Protection Half apron
  • SID 40 Bucky
  • No tube angle
  • Film 14 x 17 regular I.D. up Portrait
  • Marker Affected side.

9
Upper Posterior Ribs Oblique
  • Patient stands facing the tube. Patient rotated
    45 degrees toward the affected side.
  • Place top of film two inches above the shoulder.
  • Center horizontal central ray to film.
  • Vertical central ray centered to the affected
    side .

10
Upper Posterior Ribs Oblique
  • Collimation top to bottom less than film size.
  • Collimation side to side skin of affected side.
  • Instruction patient to raise arm of the affected
    side and take a deep breath in and hold.
  • Make exposure and let patient relax.

11
Upper Posterior Ribs Oblique Film
  • Must see the first rib for accurate counting .
  • From thoracic spine to skin of affected side must
    be seen.
  • With proper respiratory effort, should see down
    to 10th rib.

12
P-A Upper Anterior Ribs
  • Measure A-P at mid chest.
  • Protection Half apron
  • SID 40 Bucky
  • No tube angle
  • Film 14 x 17 regular I.D. up portrait
  • Marker Affected side pronated

13
P-A Upper Anterior Ribs
  • Patient stands facing the Bucky.
  • Place top of film two inches above the shoulder.
  • Center horizontal central ray to film.
  • Vertical central ray centered to the affected
    side unless patient is very small.

14
P-A Upper Anterior Ribs
  • Collimation top to bottom less than film size.
  • Collimation side to side skin of affected side.
  • Instruction patient to roll shoulders forward and
    take a deep breath in and hold.
  • Make exposure and let patient relax.

15
P-A Upper Anterior Ribs Film
  • Must see the first rib for accurate counting .
  • From thoracic spine to skin of affected side must
    be seen.
  • With proper respiratory effort, should see down
    to 10th rib.
  • Scapula clear of ribs
  • Note BB necklace

16
Upper Anterior Ribs Oblique
  • Measure A-P at mid chest.
  • Protection Half apron
  • SID 40 Bucky
  • No tube angle
  • Film 14 x 17 regular I.D. up Portrait
  • Marker Affected side pronated

17
Upper Anterior Ribs Oblique
  • Patient stands facing the Bucky. The patients
    affected ribs are rotated 30 to 45 degrees away
    from the Bucky.
  • The arm of the affected side is raised and rests
    on the top of the Bucky.
  • Top of film placed two inches above the shoulder.

18
Upper Anterior Ribs Oblique
  • Horizontal CR centered to film
  • Vertical CR to the ribs of the affected side
  • Collimation top to bottom slightly less than
    film size
  • Collimation side to side ribs of the affected
    side and slightly less than film size.

19
Upper Anterior Ribs Oblique
  • Ask patient to rest arm of the affected side on
    top of Bucky.
  • Breathing Instructions Full inspiration
  • Make the exposure and let patient breathe and
    relax.

20
Anterior Ribs Oblique Film
  • Need to include first rib to accurately count
    from top to bottom.
  • A BB can be taped on patient to note the area
    of injury.
  • Must include the lateral soft tissues. Since the
    film is centered unilaterally, mark the affected
    side.

21
Lower Ribs A-P
  • Measure A-P at mid chest or xiphoid
  • Protection Half apron or bell on males
  • SID 40 Bucky
  • No tube angle
  • Film 14 x 17 regular I.D. up Portrait

22
Lower Ribs A-P
  • Patient standing facing tube or recumbent.
  • Horizontal central ray at level of xiphoid
    process or place film two inches above iliac
    crest and center horizontal central ray to film.
  • Vertical central ray to the affected side

23
Lower Ribs A-P
  • On small patient vertical central ray is mid
    sagittal plane
  • Collimation top to bottom slightly less than
    film size
  • Collimation side to side to include all of the
    affected side or slightly less than film size.

24
Lower Ribs A-P
  • Breathing instructions Take a breath in and
    blow it all out and hold it out. Full expiration
  • Make exposure and let patient breathe and relax.

25
Lower Ribs A-P Film
  • Should visualize the ribs below the diaphragms.
  • Upper ribs will be over exposed (dark)
  • Recumbent view will have diaphragms higher for
    better visualization of lower ribs.

26
Lower Ribs A-P Film
  • Should visualize the ribs below the diaphragms.
  • Upper ribs will be over exposed (dark)
  • Recumbent view will have diaphragms higher for
    better visualization of lower ribs. Digital Image

27
Lower Ribs Oblique
  • Measure A-P at mid chest or xiphoid process
  • Protection half apron or bell on males
  • SID 40 Bucky
  • No tube angle
  • Film 12 x 10 (large patient) Landscape or 10
    x 12 Portrait (small patient) with I.D. to spine.

28
Lower Ribs Oblique
  • Patient stands facing tube. Turn patient 30 to 45
    toward the affected side.
  • Patient may be recumbent and turned toward the
    affected side.
  • Place bottom of film about two inches above the
    iliac crest

29
Lower Ribs Oblique
  • Horizontal central ray entered to film.
  • Vertical central ray centered to include all of
    the affected side.
  • Collimation top to bottom slightly less than
    film size. Should include from 8th through 12th
    ribs of the affected side.

30
Lower Ribs Oblique
  • Collimation side to side. to include from spine
    to chest wall of the affected side
  • Breathing Instructions Take a breath in and
    blow it all the way out and hold it out.Full
    Expiration
  • Make exposure and let patient relax.

31
Lower Ribs Oblique Film
  • Should demonstrate from 8th through 12th ribs of
    the affected side.
  • Must have 12th rib on film.

32
Lower Rib Oblique
  • This Oblique was taken recumbent.
  • For lower ribs, both the A-P and Oblique are best
    taken recumbent.

33
Lower Ribs Oblique Film
  • This is the wrong oblique but it demonstrated a
    fracture. Sometimes you get lucky.
  • When lower ribs fractures are seen, consider soft
    tissue damage to organs.

34
Sternum RAO
  • Routine views are the RAO and Lateral
  • If interest is the sternoclavicular joints, both
    oblique views are taken.
  • Sternum radiographs have been replaced by Cat
    scans when available

35
Sternum RAO
  • Measure A-P at mid chest
  • Protection Half Apron
  • SID 40 Bucky
  • No tube angle
  • Film 10 x 12 regular speed I.D. up Portrait

36
Sternum RAO
  • Patient stands facing the Bucky. Turn patient
    into a 20 to 25 degrees RAO. The right shoulder
    should be touching the Bucky.
  • Align the sternum with the centerline of the
    Bucky.

37
Sternum RAO
  • Place top of film two inches above the
    sternoclavicular joint.
  • Horizontal central ray centered to the film.
  • Vertical central ray is established by centering
    sternum to Bucky center line.

38
Sternum RAO
  • Collimation top to bottom Sternoclavicular
    joints to xiphoid process or slightly less than
    film size.
  • Collimation side to side slightly less than film
    size.

39
Sternum RAO
  • Breathing Instructions Deep inspiration. Some
    sources recommend expiration.
  • Make exposure
  • Tell patient to breathe and relax.
  • Note left arm may be raised and rested on top of
    Bucky.

40
Sternum RAO Film
  • Must include the entire sternum.
  • The sternum should be just clear of the heart.
  • Too much rotation will distort view.
  • Both oblique views can be taken to study S C
    joints.

41
Sternum Lateral
  • Measure Lateral at mid chest
  • Protection Half Apron
  • SID 40 Bucky
  • No tube angle
  • Film size 10 x 12 regular I.D. up Portrait

42
Sternum Lateral
  • Patient in a lateral position with arms locked
    behind back.
  • Make sure patient is as close to the Bucky as
    possible.
  • Place top of film two inches above S.C. joints.

43
Sternum Lateral
  • Horizontal central ray is centered to film.
  • Vertical central ray through sternum. S.C. joints
    may be used as reference. Two to three inches
    anterior to mid coronal plane can also be used as
    reference.

44
Sternum Lateral
  • Collimation top to bottom Sternoclavicular
    joints to xiphoid process
  • Collimation side to side slightly less than film
    size
  • Breathing Instructions Deep inspiration
  • Make exposure and let patient breathe and relax

45
Sternum Lateral Film
  • There should be no rotation of the patient.
  • Must see from sternoclavicular joints to xiphoid
    process.
  • Having shoulders pulled back is important for
    visualization of S C joints.

46
Rib Radiography
  • The region or area of injury or pain will
    determine the views taken.
  • Anterior rib injury calls for P-A and anterior
    oblique views.Like the chest oblique, the
    affected side will be away from the film.
  • Posterior rib injury calls for A-P and posterior
    oblique. The affected side is next to the Bucky.

47
Rib Radiography
  • Anterior ribs are considered above the
    diaphragms. Breathing instructions will be full
    inspiration.
  • Posterior ribs can be above or below the
    diaphragms. Above the diaphragms calls for deep
    inspiration. Below the diaphragms calls for full
    expiration.

48
Rib Radiography
  • Ribs above the diaphragms should be taken erect.
  • Ribs below the diaphragms can be taken erect but
    the diaphragms will move higher when taken
    recumbent.
  • A small lead marker or BB taped to the area of
    tenderness can help in the interpretation of rib
    films.

49
Sternum Radiography
  • Routine views RAO and Lateral
  • Shallow RAO only 20 to 25 Oblique
  • For the Sternoclavicular Joints both RAO and LAO
    views with a straight P-A are taken.
  • All views taken on inspiration.
  • Low kVp is used for higher contrast.

50
Reading Assignment
  • Read Chapters 6.1 through 6.18
  • Be prepared to practice views in laboratory
  • End of Lecture
  • Return to Winter 2008 Index
  • Return to PB-322 Home Page
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