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Egyptian Roots

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2nd c. bce - 4th c. ce. Origins in Greek drama and Roman ... Absurdism. Magic Realism. Hyper-Realism. Not to mention musicals, films, street theatre, etc., etc. ... – PowerPoint PPT presentation

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Title: Egyptian Roots


1
Egyptian Roots
  • c.2500 bce
  • Ritual Enactment
  • Abydos Passion Play re-enacted the story of the
    death and resurrection of Osiris

2
Greek Festivals
  • Festivals honored Olympian gods
  • Ritual Competitions
  • Olympics Apollo
  • Athletics
  • Lyric Poetry
  • Drama Dionysos
  • Dithyrambic Choruses
  • Tragedy
  • Comedy

3
Greek Theatre
  • 6th - 4th century bce
  • Originated in festivals honoring Dionysos
  • Thespis (6th c. bce)
  • Tragedy
  • Aeschylus (524-456 bce)
  • Sophocles (496-406 bce)
  • Euripides (480-406 bce)
  • Comedy
  • Aristophanes (c. 485- c.385 bce)
  • Old Comedy bawdy and satiric
  • New Comedy social situations

4
Roman Theatre
  • 2nd c. bce - 4th c. ce
  • Origins in Greek drama and Roman festivals
  • Tragedy Seneca
  • 5 act structure
  • Revenge motif -- sensationalistic
  • Ghosts and supernatural
  • ComedyTerence and Plautus
  • Boy meets girl, complications, boy gets girl
    marriage
  • Bawdy
  • Stock characters

5
Roman Spectacle
  • Gladiatorial combats
  • Naval battles in a flooded Coliseum
  • Real-life theatricals
  • Decadent, violent and immoral
  • All theatrical events banned by Church when Rome
    became Christianized

6
Medieval Drama 13th-15th C.
  • Arose from need to educate converted, illiterate
    Christians about Christianity
  • Hrotsvita (10th c.), German nun, wrote plays
    about Christian matyrs using structure based on
    Terences Roman comedies
  • Liturgical drama
  • Mystery plays Biblical tales
  • Miracle plays Saints lives
  • Morality plays Allegories

7
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8
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9
Italian Commedia dell Arte
  • La Commedia dell'Arte, "Artistic Comedy, began
    in the second half of the 16th century
  • Based on set pieces, lazzi, that are improvised
    with stock characters
  • A distinct group of actors gave birth to the
    first nucleus of companies, and started doing
    their acts on simple stages set outdoors
  • The mix of popular themes, complex stories,
    acrobatic jumps and mellow love scenes made it
    highly influential throughout Europe

Harlequino
10
Elizabethan Theatre 16th-17th C.
  • Protestant Reformation closed down religious
    drama
  • Tudor love of spectacle and patronage of drama
  • Elizabethan poetry -- love of language
  • Influenced by Roman theatre, Renaissance ideas,
    medieval stagecraft and pagan remnants
  • Important theatrical period even if Shakespeare
    had never lived

11
French Neoclassical Theatre, 17th-18th C.
  • Modelled theatre on Greek and Roman examples
  • Disdained English Elizabethan theatres
    messiness and eclecticism
  • Neoclassical Conventions
  • Decorum
  • Verisimilitude
  • Universal truths
  • Poetic Alexandrines
  • 5 act structure
  • 3 unities time, place action

12
Tragedy and Comedy
  • Rulers/nobility
  • Affairs of state
  • Unhappy ending
  • Lofty poetic style
  • Revealed the horrible results of mistakes and
    misdeeds committed from passion
  • Racine
  • Middle class/bourgeosie
  • Domestic/private affairs
  • Happy ending often deus ex machina
  • Ordinary speech
  • Ridicules behavior that should be avoided
  • Moliere

13
German Romantic Theater 18th-19th C.
  • Stürm und Drang
  • Looked to Shakespeare for models
  • Sweeping historical and tragic dramas
  • Johann Goethe and Friedrich Schiller
  • Began to emphasize historical accuracy in
    costumes and settings
  • Improved theatrical effects -- footlights,
    revolving stages, theatrical machinery

14
Melodrama 19th Century
  • Theatre of sentimentality -- emotional appeal
  • Heroes and villains -- and lily-white heroines
  • Wide popular appeal
  • Sensationalistic
  • Most widely performed play of the 19th C Uncle
    Toms Cabin based on Harriet Beecher Stowes
    novel

15
Realism and Naturalism19th-20th C.
  • Intellectual reaction against popular theatre
  • Theatre of social problems
  • Influenced by emerging disciplines of psychology
    and sociology
  • Emerging importance of director
  • Realistic stage conventions
  • Proscenium stage
  • Audience as fourth wall
  • Change in acting conventions
  • Continued developments in stagecraft

16
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17
Realism and Naturalism
  • Middle and Lower classes
  • Sociological
  • How does society/the environment impact
    individuals?
  • Slice of life
  • August Strindberg, Anton Chekhov, John Synge,
    Sean OCasey
  • Middle class
  • Psychological
  • How can the individual live within and influence
    society?
  • Well-made play
  • Henrik Ibsen, George Bernard Shaw

18
20th Century Theatrea hundred years of isms
  • Symbolism
  • Expressionism
  • Futurism
  • Surrealism
  • Social Realism
  • Epic Theatre
  • Existentialism
  • Absurdism
  • Magic Realism
  • Hyper-Realism
  • Not to mention musicals, films, street theatre,
    etc., etc.

19
And so into the 21st Century
Anna in the Tropics by Nilo Cruz Winner of 2003
Pulitzer Prize for Drama
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