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Archetypes

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Title: Archetypes


1
Archetypes Stereotypes
  • The Literature Based Research Paper

2
How do you feel when you're hanging out with your
best friend? Your funny cousin? Your grumpy
boss?
  • People affect our moods and feelings every day.
    Characters, who are written to take on a life of
    their own, affect the mood of other characters in
    the story. Authors often model characters after
    people, not necessarily people who have lived or
    are living authors combine characteristics that
    we know to be true in human nature.
  • We recognize certain personality types in the
    people in our lives and in the characters in our
    literature.

3
We all know someone who is
  • a clown
  • a romantic
  • a hard worker
  • a bossy tyrant
  • a leader
  • These people embody certain characteristics.

4
What have you been labeled as?

What are five characteristics of your group?
  • How do people decide upon these labels?
  • Do the labels represent the individuals fully?

5
Archetypes are mental fingerprints revealing the
details of a persons personality
  • The archetype tells the reader about the most
    basic instincts of the hero how he thinks, how
    he feels, what drives him and why he chooses both
    his goals and his methods.

6
Stereotypes and Archetypes
  • Stereotypes are flat
  • Based only on surface characteristics

7
Archetypes
  • Archetypes are rich
  • Archetypes are a skeleton on which the author
    builds the flesh and soul of the character.
  • Shakespeare used the blueprint of the lover when
    he created Romeo, but he enriched the character
    with unique characteristics, such as his loyalty
    to Mercutio. Characters have many layers, but the
    archetype is often the root of their actions in a
    story.

8
Looking for an example?
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Your task?
  • Exploring archetypes

14
Joseph Halls Characters of Vertues and Vices
(1608)
  • The busybody.
  • The superstitious.
  • The profane.
  • The malcontent.
  • The unconstant.
  • The flatterer.
  • The slothful.
  • The covetous.
  • The vainglorious.
  • The presumptuous.
  • The distrustful.
  • The ambitious.
  • The unthrift.
  • The envious.
  • The wise man.
  • The honest man.
  • The faithful man.
  • The humble man.
  • A valiant man.
  • The patient man.
  • The true friend.
  • The truly Noble.
  • The good magistrate.
  • The penitent.
  • The hypocrite.

15
The character of the wise man.
  • THERE is nothing that he desires not to know but
    most and first, himself and not so much his own
    strength as his weaknesses.
  • Neither is his knowledge reduced to discourse,
    but practice.
  • Every care hath his just order neither is there
    any one either neglected or misplaced.
  • He loves to be guessed at, not known and to see
    the world, unseen and when he is forced into the
    light, shows, by his actions, that his obscurity
    was neither from affectation nor weakness.

16
The character of the wise man.
  • He is both an apt scholar and an excellent
    master for both every thing he sees informs him,
    and his mind, enriched with plentiful
    observation, can give the best precepts.
  • In all his just and worthy designs he is never at
    a loss, but hath so projected all his courses
    that a second begins where the first failed, and
    fetcheth strength from that which succeeded not.
  • He confineth himself in the circle of his own
    affairs, and lists not to thrust his finger into
    a needless fire.

17
The character of the wise man.
  • Finally, his wit hath cost him much, and he can
    both keep and value and employ it. He is his own
    lawyer, the treasury of knowledge, the oracle of
    counsel blind in no man's cause, best sighted in
    his own.

18
  • Your Homework Complete the body map for an
    archetype in both Hamlet and a main character for
    your outside reading novel! You will want to
    print out your archetype info this will be a
    source!

http//darkwing.uoregon.edu/rbear/hallch.htm
19
The Assignment . . .
Choose an archetype from Halls work and trace
its development from the 17th century in
Shakespeares Hamlet through literature and media
of the modern era. Discuss how your archetype is
illustrated both in Shakespeares play and in
contemporary sources. Finally, analyze how the
archetype has adapted or how societys perception
of it has altered and what this alteration
implies about our cultural values.
20
  • Everything must be fiction!
  • You must address whether or not the archetype
    stays the same or changes!
  • Due Dates TBA
  • Thesis and ROUGH outline Rough Draft Final
    Draft

Lots of choices here
21
Remember . . .
  • What the character does is not the defining
    element. The defining element is WHY the
    character does what he does. 
  • Any archetype can do anything   the question
    will always be why.
  •  Archetypes are not stereotypes they are not
    cookie cutters. They can be considered a
    framework, or even better, a lump of clay of a
    particular color and consistency.  

22
Sample Thesis Statements
  • Name the archetype
  • Changed/Stayed the Same
  • Media
  • From 17th century to Today

23
Sample Thesis Statements
  • The Ambitious Man has not only adapted to fit the
    ever-changing trends of the modern era but also
    established a desire for variation in today's
    society.

24
  • The archetype of the Malcontent has remained
    prevalent throughout literature and has continued
    to transition to meet society's need for change
    for centuries on end.

25
  • The adaptation of the envious archetype portrayed
    by seventeenth century literature through today's
    contemporary literature implies society's
    exceptional need for change.

26
  • The Honest Man archetype has been used for
    decades, and will continue to be used in the
    future as it evolves along with society.

27
  • The Ambitious Man has not only adapted to fit the
    ever-changing trends of the modern era but also
    established a desire for variation in today's
    society.

28
  • Although society's definition of ambition has
    changed, the ambitious archetype remains
    virtually untouched since the early 17th century.
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