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Explicit consciousness-raising (explaining, talking about

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Title: Explicit consciousness-raising (explaining, talking about


1
MAKING REPETITION INTERESTING
  • Penny Ur
  • 2006

2
Repetition as a component of language learning
  • I would argue that there are three major
    channels of learning in the FL classroom
  • Explicit consciousness-raising (explaining,
    talking about the language)
  • Communication (using the language purposefully to
    convey or receive meanings)
  • Practice (focusing on repetition of target items)

3
Why repetition through practice?
  • The skill model declarative knowledge
    transforms into procedural knowledge (the strong
    interface model (Dekeyser, Johnson)
  • The frequency hypothesis (Ellis, 2002).
  • Teachers professional intuitions
  • Learners preferences

4
Effective repetition through practice
  • Quantity
  • Pre-learning
  • Success-orientation
  • Teacher assistance
  • Heterogeneity
  • Interest

5
Interim recap
  • In this session we shall be looking at ONE of the
    components of an effective language
    teaching/learning program repetition through
    practice
  • and at ONE crucial feature of this component
    interest.

6
1. The stages of learning new language items
7
a) From dependence to independence
  • Its not that learners move from not knowing to
    knowing
  • But rather from not knowing at all to
    noticing to knowing if you remind and support
    them and finally to knowing on their own
    (Vygotzky,1978).

8
b) From passive recognition to active production
  • Learners normally achieve passive mastery
    (recognizing something when they see it, but
    wouldnt have been able to produce it on their
    own) before they achieve active mastery.
  • So, putting a) and b) together, were talking
    about at least four stages in the gradual
    acquisition of new language items

9
The learner can both recognize and produce it on
his / her own
The learner can recognize it on his/her own, but
can produce only if helped
The learner can recognize it only if helped,
cant produce
The learner perceives and notices the new item,
with help
10
For example
  • Supposing youve presented the words dog and
    cat for the first time last lesson, using
    pictures, and now want to review them.
  • Do you
  • 1) re-present the words yourself at the beginning
    of the lesson?
  • 2) elicit the words at the beginning of the
    lesson?
  • Do you
  • 1) Show the pictures and ask learners whats
    this??
  • 2) Show the pictures, say Its a cat and get
    them to point to the appropriate picture?

11
2. The need for repetition
12
Research
  • a) Adults / adolescents need between 6 and 16
    encounters with a new word before they remember
    it (Zahar et al., 2001). Younger learners
    probably need even more.
  • b) Distributed practice is probably better than
    massed (Baddeley, 1990).

13
What are the implications of a) and b) for
practice?
  • Probably we need to do an immense amount of
    deliberate re-cycling of new language (letters,
    sounds, words, chunks, grammatical structures).
  • This recycling, or repetition, needs to be
    scattered (distributed), not all in one go.
  • So we should be leading constant cumulative
    review exercises.

14
Interim summary repetition at the various levels
of learning
  • 1. Noticing
  • simple display
  • pictures and explanation
  • (significant) occurrence in a story
  • (significant) occurrence within teacher-talk

15
  • 2. Recognition
  • matching
  • true/false
  • classifying
  • multiple choice
  • drawing
  • bingo

16
  • 3. Scaffolded Production
  • recitations
  • dialogues learnt by heart
  • (prepared) dictation
  • games based on set basic patterns
  • answering (lower-level) questions

17
  • 4. Independent Production
  • (unprepared) dictation
  • response to a picture
  • answering (higher-level) questions
  • discussion
  • free writing

18
3. The problem of interest
19
Interest-creating features
  • Variety
  • Purposeful meaning-making (communication)
  • Success-orientation
  • Visual focus (use of board, pictures )
  • Game-like tasks
  • Personalization
  • Entertainment (songs, jokes, drama, humour)
  • Open-endedness (lots of right responses)

20
1. Variety
  • Matching (recognition)
  • 1. Format

21
Matching2. Content
Whats your name? Its six oclock Where
is it? Fine, thank you
How are you? My names
Elliot Whats the time? Over
there!

? happy ? a clock
sad ? a cat ?
Can I sit
down! Whats the understand! I
dont help
you? Please matter?
22
an ancient an aged an antique an
old a mature house soldier student
book dolphin woman
23
  • Different ways we can vary the content of
    matching exercises

24
2. Purposeful meaning-making
  • Information-gap exercises
  • Picture dictations
  • Guessing
  • Filling in information on a grid
  • Combining arrangement

25
Combining arrangement
Student A
Student B
1) 2) 3) 4)
1) 2) 3) 4)
26
3. Success-orientation
  • easy to get right
  • more than one way of getting it right
  • use of L1 to clarify
  • choice between success and more success
    (rather than success and failure)

27
Find at least three things to put in each column
28
4. Visual Focus
  • picture-based activities
  • adding graphic components
  • joining-with-a-line
  • filling-in
  • circling
  • changing

29
Joe
Mitch
Jackie
Sid
Chuck
Dan
Jackie has a big hat. Mitch has a dog. Chuck
has a bottle of Coca Cola. Dan is running to a
house. Sid has long hair.
30
5. Game-like tasks
  • Guessing-games (mime, whats in my bag, I-spy,
    whats the picture etc.)
  • Beat-the-clock games
  • Dialogue-based games (detectives, wrangling,
    acting)

31
6. Personalization
  • Preferences
  • Ideas
  • Experiences
  • Opinions
  • Feelings
  • Ambitions

32
  • Whats your favourite? Write in order.
  • red, yellow, green, blue
  • 1._______ 2.________ 3._______ 4._________
  • singing, dancing, reading, watching TV
  • 1._______ 2.________ 3._______ 4._________
  • mangoes, oranges, apples, bananas
  • 1._______ 2.________ 3._______ 4._________

33
7. Entertainment
  • songs
  • video
  • stories
  • plays
  • humour
  • drama

34
Whats that? Its a frog! What? Its a frog? Yes,
its a frog! Amazing!
Whats that? Its a book!
Come here at once! Who, me? Yes, you! Whats the
matter? Be quiet!
Come here! Go to the door! Sit down!
35
8. Open-endedness
  • Two or more possible right answers
  • Brainstorming
  • sun-ray (e.g. words with l in them
    associations)
  • how many things can you think of that
  • what can you do with a
  • what does a (cat, baby, teacher ) do?

36
To recap
  • Repetition (review) of newly-learnt language is
    essential for learning.
  • This repetition needs to be systematic and
    deliberate
  • As repetition-based exercises proceed there
    should be a gradual withdrawal of scaffolding
    (teacher support)
  • and progression from noticing to
    recognition to production.

37
  • In order for students to continue to attend,
    enjoy and progress, it is essential to make sure
    that repetition activities are designed to arouse
    and maintain interest.
  • Some practical principles for making repetitive
    exercises interesting are

38
  • Variety
  • Purposeful meaning-making
  • Success-orientation
  • Visual focus
  • Game-like tasks
  • Personalization
  • Entertainment
  • Open-ended cues
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