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Dr' Peter Elbow

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Title: Dr' Peter Elbow


1
Dr. Peter Elbow
elbow_at_english.umass.edu By Pei-Ju Wu
2
Education
  • Ph.D., Brandeis University

3
Professional Experience
  • Teaching
  • 1. English Department of University of
    Massachusetts
  • 1)Started to teach at UMass since 1987
  • 2)From 19962000, Director of the Writing
    Program
  • 3)From the fall of 2000present Emeritus
    Professor of English.
  • Notes Peter Elbow retired from the University in
    August 2000. He will remain in Amherst, will
    sometimes teach graduate seminars, and will often
    be able to consult with and advise graduate
    students in Rhetoric and Composition.

4
Professional Experience,Continued
  • Teaching
  • 2. M.I.T. (for two stretches)
  • 3. Franconia College
  • 4. Evergreen State College
  • 5. Wesleyan University
  • 6. SUNY Stony Brook ,where he directed the
    Writing Program for five years

5
Research Interests
  • Writing and the teaching of writing
  • Voice in writing
  • Assessment and grading
  • Learning and teaching

6
Other Interest
  • As an amateur viola player, he plays in the
    Pioneer Valley Symphony and particularly love
    playing string quartets.

7
Professional Employment
  • Executive Committee of the Modern Language
    Association
  • Executive Committee of the Conference on College
    Composition and Communication.

8
Selected Publications
  • As a writer
  • Writing with Power Techniques for Mastering the
    Writing Process (Oxford UP, 1981)
  • Embracing Contraries Explorations in Learning
    and Teaching (Oxford UP, 1986)
  • Writing Without Teacher (MLA/NCTE, 1990)
  • Everyone Can Write Essays Toward a Hopeful
    Theory of Writing and Teaching (MLA/NCTE, 1990)
  • Being A Writer (McGraw-Hill, 2002)

9
Selected Publications, Continued
  • Essays on Learning and Teaching
  • Oppositions in Chaucer
  • What is English?
  • A Community of Writers (with Pat Belanoff this
    is a text book)

10
Selected Publications, Continued
  • As an editor
  • Voice and Writing
  • Co-edited
  • Nothing Begins with N New Explorations of
    Freewriting
  • Writing to Learn Strategies for Assigning and
    Responding to Writing in the Disciplines.

11
Selected Publications, Continued
  • Essays published on writing and teaching and
    evaluation
  • In 1986, he was awarded the Braddock prize for
    "The Shifting Relationships between Speech and
    Writing."
  • In 1994 he was awarded the James A. Berlin prize
    for "The War between Reading and Writing-and How
    to End It."

12
Elbows ideas in composition and assessment
  • His main ideas and theories are freewriting,
    less ranking (or grading) and more evaluating,
    more writing, contract grading, portfolios, and
    liking, all of which may arouse some readers'
    interest in student-centered pedagogy.

13
Annotations of Elbows works
  • Elbow, Peter (1986). Embracing Contraries
    Trustworthiness in Evaluation. Oxford Oxford UP.
  • This article represents his early ideas of
    evaluation. The methods he suggested were
    embryonic as compared to the methods he proposes
    right now. The term of portfolios emerges not as
    a fad but as a necessity at that time and extends
    up to the present.

14
Elbow, Peter (1991). Nothing Begins with N
Toward a Phenomenology of Freewriting. Ed. Pat
Belanoff, Peter Elbow, and Sheryl I. Fontaine.
Carbondale and Edwardsville Southern Illinois
UP.
  • This article, unlike the other articles that
    Elbow publishes, is written in an descriptive and
    expressive way. The whole article is centered in
    the theme of "freewriting." It describes what
    benefits freewriting can contribute to writing.

15
Elbow, Peter (1991). "Reflections on Academic
Discourse How It Relates to Freshmen and
Colleagues." College English 53 135-55.
  • Perhaps the best way to introduce students to
    academic discourse is to have them familiarize
    nonacademic discourse first. As they are used to
    putting their thoughts and experiences with their
    own language in writing, they are ready for being
    inculcated the conventions of academic discourse.
    When writing for academic discourse, they won't
    just mimic surface stylistic features instead of
    elaborating organic contents.

16
Elbow, Peter (1991). "Some Thoughts on
Expressive Discourse A Review Essay." Journal of
Advanced Composition 11.1 83-94.
  • Perhaps Harris makes strong criticism against
    expressive discourse nevertheless, she has her
    own stance. On the other hand, Elbow, in his
    review essay, defend expressive discourse by
    pointing out the wrong concepts of expressive
    discourse she has.

17
Elbow, Peter (1993). "Ranking,
Evaluating, and Liking Sorting Out Three Forms
of Judgment." College English 55.2 187-206.
  • This article demonstrates the most concrete
    ideas that Elbow has ever elaborated. We can get
    a rough picture of what and how Elbow thinks a
    good assessment in students' writing. This
    article is a miniature of his entire pieces of
    writing.

18
Elbow, Peter (1993). "The Uses of Binary
Thinking." Journal of Advanced Composition 13.1
51-78.
  • Dichotomies exist no matter whether they are
    external or internal. People tend to stand on the
    side where they think is right however, most of
    the time there is no right or wrong but either
    side is right. If someone insists on his or her
    priority, conflicts may occur. The primary point
    that Elbow makes is to respect differences while
    differentiating them.

19
Elbow, Peter, and Kathleen Blake Yancey
(1994). "On the Nature of Holistic Scoring An
Inquiry Composed on Email." Assessing Writing
1.1 91-107.
  • In this article, Elbow has a dialogue with
    Kathleen Blake Yancey through email. The
    following viewpoints mostly belong to Elbow's.
    Reading is socially constructed. Divergence and
    convergence are the two opposite skills that
    well-educated readers have to develop. Divergence
    is a skill that intelligent readers see something
    that others haven't seen.

20
Elbow, Peter (1995). "Being a Writer vs.
Being an Academic A Conflict in Goals." College
Composition and Communication 46.1 72-83.
  • In the English academics including professors
    and graduate students, there is few or no
    conflict between the role of writer and that of
    academics. By contrast, most students, especially
    the first year students do not inhabit themselves
    in the discourse of academics. Instead of
    pressing them to fit in the discourse promptly,
    it is better for students to have somewhat a free
    choice of writing and a sense of pride,
    self-absorption and even arrogance when they
    write.

21
Elbow, Peter (1997). "Taking Time Out from
Grading and Evaluating While Working in a
Conventional System." Assessing Writing 4.1 5-27.
  • Elbow differentiates grading and evaluation by
    pointing out that grading gives explicit, simple,
    and quantitative symbols while evaluation
    includes a much wider spectrum of activities and
    modes. Grading is a small subset of evaluation.
    In an overall view, he seems to reject the
    grading system and support narrative evaluations.

22
Elbow, Peter.(1998). "Grading Writing
Changing Grading While Working with Grades." The
Theory and Practice of Grading Writing. Ed.
Frances Zak, and Christopher C. Weaver. State
University of New York P.
  • One question here is that if Elbow
    incorporates minimal grading and criteria into
    portfolios because portfolios possess the
    features of carrying comments and suggestions
    that criteria have and the postponement of
    grading which is not the same as but similar to
    minimal grading.
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