Title: Chapter Sixteen The Eighteen Century: From Rococo to Revolution
1Chapter SixteenThe Eighteen CenturyFrom Rococo
to Revolution
-
- Culture and Values, 6th Ed.
- Cunningham and Reich
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3Age of Diversity
- Unqualified optimism, extreme discontent
- Conscious engagement with social issues
- Revolutionaries and conservatives
- Enlightened despots
- Welfare of citizenry
- Duty and responsibility
4The Visual Arts in the Eighteenth CenturyThe
Rococo Style
- Escapism, antibaroque
- Frivolity, lightheartedness
- Art as entertainment for aristocracy
- Jean Antoine Watteau (1684-1721)
- Fetes galantes
- Return from Cythera (1717)
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6The Visual Arts in the Eighteenth CenturyThe
Rococo Style
- François Boucher (1703-1770)
- Eroticism, voluptuous beauty (Rubens)
- Cupid a Captive (1754)
- Jean Honoré Fragonard (1732-1806)
- Use of landscape
- Love Letters (1773)
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9The Visual Arts in the Eighteenth CenturyThe
Rococo Style
- Rosalba Carriera (1675-1757)
- Pastel portraits
- Anna Sofia dEste (c. 1730)
- Portraiture and English nobility
- Rococo sculpture
- Rococo architecture
- Balthazar Neumann (1687-1753)
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13The Visual Arts in the Eighteenth
CenturyNeo-Classical Art
- Archeological inspiration
- New awareness of classical art
- Roman Republic, French Revolution
- Jacques-Louis David (1748-1825)
- United opposition to tyranny
- Austere poses, orderly decoration
- Sir Joshua Reynolds (1723-1792)
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17The Visual Arts in the Eighteenth
CenturyNeo-Classical Art
- Escapism vs. Idealism
- William Hogarth
- Satirical moral subjects
- Sculptural quality
- Classical models of architecture
- Austere public buildings
- Thomas Jeffersons State Capitol
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19Classical Music
- Style gallant
- Empfindsamkeit
- C.P.E. Bach (1714-8)
- General vs. Technical definitions
- New musical idiom
- Emotion, intellect, balance, order
20Classical MusicThe Classical Symphony
- Orchestral standardization
- Symphonic movements
- Sonata form, sonata allegro form
- Exposition, development, recapitulation
- Slow, lyrical movement
- Minuet
- Spirited, cheerful conclusion
21Classical MusicHaydn and Mozart
- Franz Joseph Haydn
- Father of the Symphony
- Reverence of artist in society
- Wolfgang Amadeus Mozart
- Early musical prowess, virtuosity
- The Marriage of Figaro
- Social injustice, universality of human nature
22Literature in the Eighteenth CenturyIntellectual
Developments
- Systematic examination of society
- Pessimistic views vs. Optimistic views
- Renewed interest in Classical culture
- Translations, themes, forms, references
- English Augustan movement
- Imitated Roman Augustan poets
- Return to order after English Civil War
23Literature in the Eighteenth CenturyAlexander
Pope (1688-1744)
- Augustan poet
- Nature of human experience
- Rococo satire
- Tinged with personal hostility
- Christian Humanist teachings
- Revelation of human folly
- Reverence for order, reason
24Literature in the Eighteenth CenturyJonathan
Swift (1667-1745)
- Hatred for human race
- Savage indignation
- Animals capable of reason
- Gullivers Travels
- Satire of human behavior
- A Modest Proposal
- Mans inhumanity to man
- Inevitability of human suffering
25Literature in the Eighteenth CenturyRational
Humanism The Encyclopedists
- Encyclopédie
- Denis Diderot (1713-1784)
- System for the classification of knowledge
- Compendium of human rationality
- Freedom of conscience and belief
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27Literature in the Eighteenth CenturyRational
Humanism The Encyclopedists
- Charles-Louis Montesquieu (1689-1755)
- Distribution of governmental power
- Jean-Jacques Rousseau (1712-1778)
- Humansgood, societybad
- The noble savage
- Contempt for superficial, artificial
- Belief in human equality
28Literature in the Eighteenth CenturyVoltaire
(1694-1778)
- A man engagé
- Importance of freedom of thought
- Ecrasez linfame
- Fanaticism and persecution
- Natural religion, morality
- Candide (1759)
- Folly of unreasonable optimism
- Cruelty and stupidity of the human race
29The Late Eighteenth CenturyTime of Revolution
- Technological improvements
- Increased literacy, circulation of ideas
- Governmental abuses
- Louis XV Après moi le déluge
- The Reign of Terror
- Maximilien Robespierre (1758-1794)
- Essentiality of constitutional government
30The Late Eighteenth CenturyTime of Revolution
- American Revolution
- Inspired revolution in France
- Jeffersons Declaration of Independence
- Optimistic view
- Political and social freedom
- Equality and justice
- Universality of man and nature
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32Chapter Sixteen Discussion Questions
- Explain Jonathan Swifts savage indignation.
Why does he hold such contempt for the human
race? What is meant by the statement, reason
aggravates mans natural corruptions? How is
this similar to and/or different from Rousseaus
outlook on humanity? - What philosophical view of humanity was generated
by the Encyclopedists? Explain how a collection
of knowledge lead to new insights into religion,
humanity, society, and government. - In what ways does the rococo style support both
the optimistic AND the pessimistic worldviews of
the eighteenth century? Consider the influx of
satire and the comparative frivolity of the art
in addition to the changing role of the artist
during the period.