Title: Gestalt Principles of Design
1Gestalt Principles of Design
2Overview
- Perception
- Visual Fields
- Gestalt Theory
- Figure-ground contrast
- Grouping
3Perception
- Perception requires thinking
- Readers search for focal points
- Readers draw on past experience
- Readers vision the task at hand, and then some
- Perception is goal directed
4What do you see?
20
9
32
12
5Visual Fields
- A range of vision that in any perceptual moment
will likely include an array of shapes, lines,
patterns, and textures
6Gestalt
7Gestalt Principles of Design
- Gestalt means whole or form
- Two of the most important principles
- Figure-ground
- Grouping
8Figure-ground
- When an object is surrounded by white space, keep
a sense of proportion between the object (the
figure) and its surroundings (ground). - The figure is the focal image
- The ground is the background image
9- This page has lots of text and not much visual
variation. As a result, readers wont be drawn to
any particular place on the page. This page has
lots of text and not much visual variation. As a
result, readers wont be drawn to any particular
place on the page. This page has lots of text and
not much visual variation. As a result, readers
wont be drawn to any particular place on the
page. This page has lots of text and not much
visual variation. As a result, readers wont be
drawn to any particular place on the page. This
page has lots of text and not much visual
variation. As a result, readers wont be drawn to
any particular place on the page.
10Is This Any Better? This page has lots of text
and not much visual variation. As a result,
readers wont be drawn to any particular place on
the page. This page has lots of text and not much
visual variation. As a result, readers wont be
drawn to any particular place on the page. This
page has lots of text and not much visual
variation. As a result, readers wont be drawn
to any particular place on the page. This page
has lots of text and not much visual variation.
As a result, readers wont be drawn to any
particular place on the page. This page has lots
of text and not much visual variation. As a
result, readers wont be drawn to any particular
place on the page.
11- How about This?
- This page has lots of text and not much visual
variation. As a result, readers wont be drawn to
any particular place on the page. - This page has lots of text and not much visual
variation. As a result, readers wont be drawn to
any particular place on the page. This page has
lots of text and not much visual variation. - As a result, readers wont be drawn to any
particular place on the page. This page has lots
of text and not much visual variation. As a
result, readers wont be drawn to any particular
place on the page. - This page has lots of text and not much visual
variation. As a result, readers wont be drawn to
any particular place on the page.
12Figure-ground Contrast
- Figure-ground contrast gives you a powerful tool
to respond to any given rhetorical situation. - Be careful of visual noise
- Noise is anything that interferes with the
writers message - Static on a phone line
- Busy backgrounds
- Loopy fonts
13Figure-ground Contrast
- Figure-ground contrast gives you a powerful tool
to respond to any given rhetorical situation. - Be careful of visual noise
- Noise is anything that interferes with the
writers message - Static on a phone line
- Busy backgrounds
- Loopy fonts
14Noise
- This is a noisy typeface.
- Another noisy typeface
- Still another. Can you IMAGINE this in ALL CAPS?
- Pen Island
- Who Represents
- The Experts Exchange
15Grouping (aka Proximity)
- Shows structure and organization
- Threads parts into manageable units
- Grouping creates visual cohesion that holds the
parts together
16Gestalt Principles
- For a refresher (or more information)
- Gestalt Theory