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Baroque Music

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Known as the 'red priest' because of his hair. Music master at an all-girl school; ... Wrote operas, cantatas, chamber music, an oratorio, a famous 'Gloria' ... – PowerPoint PPT presentation

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Title: Baroque Music


1
Baroque Music
  • 1600-1750

2
The Concerto
  • Comes from concertare (to contend with)
  • the opposition of two dissimilar bodies of
    sound
  • Two types of Baroque Concerto
  • Solo concerto
  • Violin favored instrument
  • Fast-slow-fast scheme
  • Concerto grosso
  • Tutti or ripieno

3
Antonio Vivaldi(1678-1741)
  • Known as the red priest because of his hair
  • Music master at an all-girl school although
    well-established career, died mysteriously in
    poverty
  • Wrote over 500 concertos, about 230 for violin
  • Wrote operas, cantatas, chamber music, an
    oratorio, a famous Gloria
  • Known as father of the concerto (and for
    establishing the ritornello)
  • Most of his concertos bear descriptive titles
    (Four Seasons)

4
Vivaldis Four Seasons
  • A group of four violin concertos
  • Use of rapid scale passages, virtuosic
  • Word painting hear birds, etc., in the music.
    Poems, probably written by the composer, describe
    each season. Each line of the poem is printed at
    a particular spot in the music.

5
Spring from Four Seasons
  • Description on p. 446
  • Poem on p. 447
  • Ritornello a recurring theme that unifies the
    movement

6
Bachs Brandenburg Concertos
  • Dedicated to the Margrave Christian of
    Brandenburg
  • Concerto grosso (big group tutti or ripieno vs.
    little concertino group)
  • Brandenburg Concerto No. 2 (p. 450)
  • Three movement scheme
  • Concertino violin, oboe, recorder, trumpet
  • Ritornello unifies the movement

7
The Baroque Suite
  • Comes from an earlier tradition of pairing dances
    of contrasting tempos and characters.
  • A set of dances (standard four w/others)
  • Allemande
  • Courante
  • Sarabande
  • Gigue
  • Written in the same key
  • Orchestral suites and keyboard suites

8
Handels Water Music
  • Played for a royal party, held by King George I,
    on the Thames River in London on July 17, 1717.
    (p. 453)
  • Contains 22 numbers, divided into 3 suites
  • Contains many of the optional dances suite
    movements are not in the standard order
  • Suite in D Major Allegro, p. 454

9
Bach and the Chorale Prelude
  • Prelude a fairly short piece based on the
    continuous expansion of a melodic or rhythmic
    figure
  • pre before a piece played to introduce a
    group of dance pieces, among others
  • Preludes used in church
  • Chorale preludes combine hymns with improvisation
  • Bach wrote over 140 organ chorales

10
Bachs Chorale PreludeA Mighty Fortress is Our
God
  • p. 457-458
  • 1709
  • Features imitation and a cantus firmus melody
    (tune of the hymn)
  • Composed for a three-manual organ

11
Bachs Preludes and Fugues
  • Well-Tempered Clavier
  • To show off the new system of tuning keyboards
  • One Prelude Fugue in EVERY key
  • Wrote 2 books of these
  • Preludes different characters
  • Fugues imitative pieces (mostly 3 or 4 voices)

12
Bachs Prelude and Fugue No. II in C Minor, WTC
IPerformance on harpsichord
  • Prelude
  • Perpetual motion
  • Contains free, cadenza-like section
  • Ends fast
  • Fugue
  • 3 voices
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