Senior Project Presentation - PowerPoint PPT Presentation

1 / 38
About This Presentation
Title:

Senior Project Presentation

Description:

William Faulkner (1897-1962) Greatest American Southern writer, won the Nobel Prize for Literature, 1950 A master of modernist experimentation in the novel, ... – PowerPoint PPT presentation

Number of Views:215
Avg rating:3.0/5.0
Slides: 39
Provided by: JoeM161
Category:

less

Transcript and Presenter's Notes

Title: Senior Project Presentation


1
Senior Project Presentation
  • As I Lay Dying
  • and Cubism
  • Themes and Motifs
  • by Michael Stultz

2
Thesis
  • No man is himself, he is the sum of his past.
    There is no such thing really as was because the
    past is. It is a part of every man, every woman,
    and every moment. All of his and her ancestry,
    background, is all a part of himself and herself
    at any moment.

3
William Faulkner (1897-1962)
  • Greatest American Southern writer, won the Nobel
    Prize for Literature, 1950
  • A master of modernist experimentation in the
    novel, related to his obsession with time
  • stream of consciousness, temporal shifts, and
    multiple voices
  • Some major novels The Sound and the Fury (1929)
    4 narrators, As I Lay Dying (1930) 15
    narrators, Absalom! Absalom! (1936)

4
(No Transcript)
5
William Faulkner (1897-1962)
  • Born William Falkner, 25 Sept. 1897, New Albany,
    Mississippi
  • 1918 joins Canadian Royal Air Force
  • 1919-20 U of Mississippi
  • 1921 U of Mississippi Post Office

6
Faulkner Major Phase
  • 1929 The Sound and the Fury
  • 4 narrators
  • 1930 As I Lay Dying
  • 15 narrators

7
William Faulkner (1897-1962)
  • His great theme is the influence of the past on
    the present
  • Gavin Stevens in Requiem for a Nun (1951), says
  • The past is never dead. Its not even past.

8
Faulkners Rowan Oak, Oxford, Miss.
9
As I Lay Dying
  • By William Faulkner
  • 1930

10
Faulkners House (1930)
11
Faulkners Mississippi
2,400 square miles the population, 6,298 whites
and 9,313 Negroes, for a total of 15,611
12
What is the American South?
  • You're in the American South now, a proud region
    with a distinctive history and culture. A place
    that echoes with names like Thomas Jefferson and
    Robert E. Lee, Scarlett O'Hara and Uncle Remus,
    Martin Luther King and William Faulkner, Billy
    Graham, Mahalia Jackson, Muhammad Ali, Elvis
    Presley. Home of the country blues and country
    music, bluegrass and Dixieland jazz, gospel music
    and rock and roll. Where menus offer both
    down-home biscuits and gravy and uptown shrimp
    and grits. Where churches preach against
    "cigarettes, whiskey, and wild, wild women" (all
    Southern products) and where American football is
    a religion.
  • - From John Shelton Reed's My Tears Spoiled My
    Aim

13
Modern Similarities
  • As I Lay Dying is like
  • the TV show Desperate
  • Housewives told in
  • voice-over by a woman
  • who is already dead.
  • Faulkners characters
  • share inner thoughts
  • through voiceovers.

14
Modern Similarities
  • As I Lay Dying is like
  • the movie Pulp Fiction
  • told from multiple viewpoints
  • and in a non-linear plot.
  • Example Vincent Vega gets
  • shot and killed, but then hes
  • in the last scene (which
  • begins the movie).

15
Major Motifs
  • Earth Addies destination
  • Water (flood) river crossing
  • Fire barn-burning
  • Air the smell of Addies
  • rotting corpse

16
Major Themes a. History and race b.
Deterioration (of the family, the South, words)
c. Conflicts between generations, classes, races,
man and environment d. Horror,
violence and the abnormal Features of his works
a. complex plot b. stream of consciousness c.
characterization the psychology of characters
d. violation of chronology e. courtroom
rhetoric formal language f. multiple point of
view, circular form
continue
exit
17
The Mind vs. The Body
  • Critic Edmond Volpe says of Faulkners work
  • Faulkner dramatizes the recognition that the
    human body must exist in chronological time, the
    mind does not funtions within the boundries
    placed on the human body. The mind fuses past,
    present, and future. Because we think beyond
    clock measured time and because what we do today
    is shaped by what happened yesterday, Yesterday,
    today, and tomorrow are IS Indivisible. One.

18
 Innner Narrators   Anse Bundren patriarch of
the Bundren family Addie Anses dying (then
dead) wife Cash (30) the eldest son, the best
carpenter in the area Darl (28) the second son,
sensitive, cruel and intuitive Jewel (18) the
third son, favoring actions over words Dewey Dell
(17) the only Bundren daughter Vardaman (9) the
youngest Bundren
exit
19
 Outer Narrators  Whitfield the local
preacher Vernon Tull Bundrens neighbor Cora
Tull Vernons wife, nosy and pious Lucius
Peabody the local doctor Samson another
neighbor who puts the Bundrens up for a night on
their journey Henry Armstid another neighbor who
hosts the Bundrens one unfortunate night Moseley
druggist in Mottson, a town the Bundrens pass
through MacGowan a drugstore clerk in Jefferson
exit
20
Faulkners Process
  • 59 interior monologues where life and death are
    revealed through the characters
  • Our memory, the way we understand, is related to
    our physical perception
  • Monologues are very sensual perceptions of the
    real world
  • These intensify the characters mental
    emotional experiences for the reader

21
More Faulkners Process
  • Interior monologues
  • Stream of consciousness
  • First person narrator makes action immediate
  • No omniscient narrator so no center
  • 59 chapters apportioned among 15 characters
  • 7 are concerned
  • 8 are detached

22
cubism
  • After 1909, Picasso and Braque began a more
    systematic study of structure which we know as
    "Analytical Cubism". In this period, they removed
    bright colors from their compositions, favoring
    monochromatic earth tones so that they could
    focus primarily on the structure. The paintings
    of this period look as if they have deconstructed
    objects and rearranged them on the canvas. One
    goal of this is to depict different viewpoints
    simultaneously. Traditionally, an object is
    always viewed from one specific viewpoint and at
    one specific (stopped) moment in time. Picasso
    and Braque felt that this was too limiting, and
    desired to represent an object as if they are
    viewing it from several angles or at different
    moments in time. Innovative as this was, the
    danger was that many of the works of this period
    are completely incomprehensible to the viewer, as
    they start to lose all sense of
    form.Eyeconart.com

23
Pablo Picasso, 1900
24
Picasso, Self-Portrait, 1900
25
Gris, Portrait of Picasso (1912)
26
Picasso, Self-Portrait, 1907
27
Picasso Cubed
28
Cubism ExampleFull-Face Portrait Student work
29
Materials
  • Mirrors
  • 12x 18 newsprint
  • Construction paper, scrap paper newspapers,
    wallpaper and other papers.
  • Pencils, scissors, Seral transfer paper,
    glue, black permanent markers, paint markers 
  • Poster board for frame

30
The Mirror Effect
  • Most people look in
  • a mirror this way
  • Full-front,
  • Head-on

31
We see what we want to see
32
We rarely
Look at the sides. .and never behind.
33
so we never really know how others see us.
34
(No Transcript)
35
(No Transcript)
36
Creative Component
The pencil drawing on the right was made in the
author'sadult drawing class.  It is a practice
observation drawingof two chickens in motion
drawn with the instructions to keepdrawing in
the same space while the chickens are moving.
37
(No Transcript)
38
  • WORKS CITED
  • Adamowski, T.H. "'Meet Mrs. Bundren' As I Lay
    Dying -- Gentility, Tact, and Psychoanalysis."
    University of Toronto Quarterly 49 (1980)
    205-227.
  • Alldredge, Betty. "Spatial Form in Faulkner's As
    I Lay Dying." Southern Literary Journal 11
    (1978) 3-19.
  • Bender, Eileen T. "Faulkner as Surrealist The
    Persistence of Memory in Light in August."
    Southern Literary Journal 18 (1985) 3-12.
  • Bleikasten, Andre. Faulkner's As I Lay Dying.
    Bloomington Indiana UP, 1973.
  • Blotner, Joseph. Faulkner A Biography. New York
    Random House, 1974.
  • Branch, Watson G. "Darl Bundren's 'Cubistic'
    Vision." William Faulkner's As I Lay Dying A
    Critical Casebook. Ed. Dianne L. Cox. New York
    Garland, 1985. Breton, Andre. Manifestoes of
    Surrealism. Ann Arbor U of Michigan P, 1969.
  • Broughton, Panthea Reid. "Faulkner's Cubist
    Novels." "A Cosmos of My Own" Faulkner and
    Yoknapatawpha, 1980. Eds. Doreen Fowler and Ann
    J. Abadie. Jackson UP of Mississippi, 1981.
  • Clarke, Deborah. Robbing the Mother Women in
    Faulkner. Jackson UP of Mississippi, 1994.
  • Faulkner, William. As I Lay Dying. New York
    Random House, 1990.
  • --------. Mosquitoes. New York Liveright, 1971.
  • Mellard, James M. "Something New and Hard and
    Bright Faulkner, Ideology, and the Construction
    of Modernism." Mississippi Quarterly 48 (1995)
    459-79
  • Morris, Wesley. "The Irrepressible Real Jacques
    Lacan and Poststructuralism." American Criticism
    in the Poststructuralist Age. Ed. Ira Konigsberg.
    Ann Arbor U of Michigan P, 1981.
  • Nielsen, Paul S. "What Does Addie Bundren Mean,
    and How Does she Mean It?" Southern Literary
    Journal 25 (1992) 33-9.
  • Saussure, Ferdinand de. Course in General
    Linguistics. New York McGraw-Hill, 1959.
  • Tytell, John. "Epiphany in Chaos Fragmentation
    in Modernism." New York Literary Forum 8/9
    (1981) 3-15.
  • Vickery, Olga. The Novels of William Faulkner A
    Critical Interpretation. Baton Rouge U of
    Louisiana P, 1959.
  • Woolf, Virginia. Walter Sickert A Conversation.
    London The Hogarth Press, 1934.
Write a Comment
User Comments (0)
About PowerShow.com