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Classical Period of Western Literature

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epic poem long, multi-layered adventure narrative poetry often sung ... However, for reasons of his own, he forges ahead. The hero is mortal and vulnerable. ... – PowerPoint PPT presentation

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Title: Classical Period of Western Literature


1
Classical Period of Western Literature
  • from approximately 750 B.C. to 200 A.D.

2
Major Genres During Classical Period
  • Genres
  • epic poem long, multi-layered adventure
    narrative poetry often sung
  • dramatic tragedy and comedy early forms of
    dramatic performance dramatic poetry
  • ode a very formal and serious poem. Typically
    composed for a special occasion or in praise of
    someone or something
  • lyric poetry most expressive and emotional of
    the verse shorter than the others

3
  • All of these genres exhibit
  • formal elegance
  • balance strict rules of composition
  • simplicity of construction
  • Oral tradition was the only way for stories to
    exist during the earliest part of this literary
    period
  • Most works were primarily meant to be heard by
    performers rather than be read

4
Examples from Classical Period
  • From early during this period
  • an epic poem The Iliad
  • written by Homer
  • Late during the Classical period
  • a dramatic tragedy -- Antigone
  • written by Sophocles

5
Characteristics of a Classic Epic
  • An epic is a long, complex story, often told in
    poetic form. The events in an epic are usually
    proclaimed to be true or divinely inspired, and
    often derive from the myths, legends, and
    religions of the civilization from which the epic
    comes.

6
Techniques Common to all Epics
  • Because epics were recited or performed often
    from memory there is a formula to help the poet
    remember such a long story.
  • Each line has the same meter the same number of
    stressed and unstressed syllables
  • Homeric epics use dactylic hexameter each line
    is a series of 1 long and 2 short syllables
    there are 6 of these dactyls per line.
  • For example
  • But Ill make something clear right now, and
    swear a great oath
  • I swear by this staff I hold which no longer
    has bud

7
  • Another technique used to help the poet maintain
    the meter and to help the audience remember the
    characters is the epithet.
  • long-haired Achaeans
  • swift-footed Achilles
  • bright-eyed Athena

8
  • The epics narrator is generally objective and
    does not judge the characters for their faults or
    weaknesses.
  • Many lines, events and phrases are repeated
    throughout the epic.
  • Similes of frequently used as a descriptive
    technique.

9
The Epic Hero
  • The most important element of the epic is the
    hero. The hero of an epic is a human being with
    characteristics a society admires and often
    wishes to emulate. The hero is male, attractive,
    and unusually strong and able. He is a trained
    soldier or warrior and believes in and follows a
    code of honor for which he is willing to
    sacrifice his life. He fights for the noble
    cause those who cannot defend themselves,
    usually women and children, the preservation of a
    society, honor and the noble way of life. The
    hero is considered better in most respects than
    the common man.

10
  • However, the hero is also in many ways the same
    as the ordinary man. He has the same longings and
    desires as any man might have the desire to be
    beloved and respected by his own, the desire for
    some degree of wealth or material comfort, the
    desire for a family, the desire to stand out
    above his fellow human beings in some way, the
    desire not to bring shame to himself or his
    family in any way. The hero also hopes that the
    divine will favor him and his cause.

11
  • The hero becomes tragic when some error or fault,
    often inborn, of his own making, brings about his
    own death.
  • Often the hero has insight and realizes before
    anyone else what his fate will be. However, for
    reasons of his own, he forges ahead. The hero is
    mortal and vulnerable.

12
Resources
  • Notes and information in this presentation has
    been compiled from the following text and
    website.
  • MacMillan Literature Series, World Literature,
    1991.
  • The Iliad a Practical Approach, Phyllis Taylor,
    http//www.yale.edu/ynhti/curriculum/units/1984/2/
    84.02.09.x.html
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