Title: Poem Loading please wait
1Poem Loadingplease wait
2Imagine poetry as a series of terraces, some
vast, some no bigger than a pinprick, overlooking
the city of language.
3The sound and light show begins in the dark
sentences dart by, one by one, forming wave after
wave of the rag and boneshop of the quotidian,
events passing before our eyes like the faint
glimmer of consciousness in an alcoholic stupor.
4Facts, facts everywhere but not a drop to drink
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6Work in Progressall work and no play makes jack
a dull boy ALL WORK and NO play makes Jack a DULL
boy ALL work and NO play MAKES jack a DULL boy
all work and no play makes jack a dull boy ALL
WORK and NO play makes Jack a DULL boy ALL work
and NO play MAKES jack a DULL boy all work and
no play makes jack a dull boy ALL WORK and NO
play makes Jack a DULL boy ALL work and NO play
MAKES jack a DULL boy all work and no play makes
jack a dull boy ALL WORK and NO play makes Jack a
DULL boy ALL work and NO play MAKES jack a DULL
boy all work and no play makes jack a dull boy
ALL WORK and NO play makes Jack a DULL boy ALL
work and NO play MAKES jack a DULL boy all work
and no play makes jack a dull boy ALL WORK and NO
play makes Jack a DULL boy ALL work and NO play
MAKES jack a DULL boy all work and no play makes
jack a dull boy ALL WORK and NO play makes Jack a
DULL boy ALL work and no play
7Conceptual poetry is poetry pregnant with
thought.
8Connect the knots.
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10LANGUAGE POETRY a loose
affiliation of unlike individuals.
11The poet is a liar.
12The poet is a lyre.
13The poets tired.
14In the 1990s, it was common in Russia to find
stores with empty shelves, but one was stripped
to bare walls.
15It was a shelf store.
16The time is not far off, or maybe it has already
come to pass, when computers will be able to
write better poems than we can. So we must now
add to logopoeia, phanopoeia, and melopoeia
algorhythmia.
17Computers will never replace poets because
computers wont take that much abuse.
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19Speak truth to truth.
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21Richard Tuttle Ch. BernsteinWith Strings
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24Your ad herecontact me after the panelfor
details
25In May 2006 I published Kenneth Goldsmiths The
Weather by Charles BernsteinFor this work I
included the entire text of Goldsmiths book,
which each of the works four seasons in a
different color and progressively smaller font.
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28Compare and contrast the two worksIs my work
29A) More original than Goldsmiths?B) A work of
conceptual poetry?C) A Language Poem?C) A
parody?D) An homage?E) A bright, shining light
in the world of poetry?F) A fake?
30If you answered YES to all six questionsLeave
the conference immediately.Get some fresh air.
31In the world of the imagination, impossible just
means the next opportunity to get real.
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33The author dies. The authors work is born.
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35I love originality so much that I keep copying
it.
36I am the derivative product of an originality
that spawns me as it spurns me.
37I love originality so much that I keep copying
it. The work of art itself does not exist only
incommensurable social contexts through which it
emerges and into which it vanishes.
38I love originality so much that I keep copying
it. Existence needs essence the way a walking
tour needs local color.
39Good poets make analogies, great poets make
analogies between analogies.
40A poem should not be but become.
41Which reminds me of the story of the man who
reports a wife- beating to a neighbor. "Then stop
beating her," the neighbor replies. But it's not
my wife!, replies the good Samaritan, becoming
agitated. "That's even worse!" says his neighbor.
42The absence of conception had itself to be
conceived.
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